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A Brave Writer's Life in Brief

Thoughts from my home to yours

Archive for the ‘Young Writers’ Category

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You gotta be home to homeschool

You gotta be home to homeschool

There are two kinds of “being home” that I want to explore in the blog. Today’s post focuses on the physical choice to be “home” more than away. For families with young kids (particularly if you’ve got kids under 12), cultivate a home life, in your house. For families with teens, be choosy. Outside activities are important, but consolidate when you can. If you’re in that awkward phase of life where you have some of each (little kids and big ones), your choices have to be that much more creative and deliberate. I’ve got a special section just for you further down.

The second kind of “being home” has to do with attitude—how do we treat each other when we are home as opposed to away? What does it look like/feel like to be educated in a home?

Choosing to be at home:

The first step in creating a better homeschool environment is to be home. Long stretches of time that go uninterrupted by orthodontists, trips to the tutor, vet appointments for the dog and shopping for food are essential to create a feeling of time and space to learn. One of the best bits of advice I received early on is to not make my doctor or dental appointments in the mornings. Just because I’m “home” doesn’t mean I’m free! If my kids were in a school building, I wouldn’t want to take them out for a check up. I’d wait until the afternoon. Likewise, my time at home is full and therefore I’m not available for appointments before noon, either. Better to schedule all such meetings after lunch. (If you have napping kids, then you have to wait until naps are done or let them nap in the car or stroller.)

Additionally, limit outside activities. We had a rule in our family of five kids that only two kids could be playing on a sports team at any given time. That meant that some of our kids couldn’t do their sport year-round. We had no prodigies so I didn’t have to weigh the merits of possible college scholarships against my decision, so your mileage may vary. But we discovered early on we could only support two weekend games and two sets of practices per week, per season. The same could be said for musical instruments, tutorials, co-ops, dance lessons and so on. When you have lots of kids, this becomes even more important. You do not want your youngest children to spend their early childhoods sipping Juicy Juice boxes in a car seat watching DVDs in the back of the van while they are schlepped along with hockey pads to the next practice!

When possible, hire people who will come to you or live within walking distance. The midwife I chose on my fifth birth traveled to me to do my check-ups. That’s the sole reason I picked her over my previous midwife. When my youngest decided she wanted piano lessons, I sent her across the street. Our piano teacher isn’t my favorite as far as technical skill to teach, but for the early stages, living two minutes from my doorstep outweighed all other concerns. We hired a violin teacher who drove to our house. We also hosted literature discussion groups, writing groups and study sessions so that we could stay home.

Carpool. Do activities that other families do so that you don’t have to do all the driving.

Save some activities until your kids can drive themselves. We didn’t have our kids get jobs outside the home until they could drive themselves. Three of them, however, earned money while at home babysitting and selling cookies in our neighborhood. Neither of these required me to drive anyone anywhere (except when one of them ran out of chocolate chips and forgot to tell me… grrrr!).

Consolidate activities. It’s better to have one long busy day of appointments than to have 30-60 minute trips three or four times per week that interrupt your time at home.

Make one day your inviolable day that you never go anywhere. Once you decide to do this, it will feel nearly impossible to make happen. You’ll find all kinds of reasons you can’t keep this commitment. Of course. Just like dieting or exercise. It’s a discipline. But just as you would clear your schedule to be available weekly for a co-op day, you can do the same in reverse. Make Tuesdays or Fridays (or whatever) the day you never leave the house. You always have the full day at home and are ready for it with good food, a lesson plan, fun TV programming to watch and no pressure to go anywhere. Even if you pull this off three Tuesdays of the month, that’s wonderful! You’ll be amazed at how jealously you guard that day once you commit to it. (Tuesday has traditionally been that day for me since we have co-op on Mondays which is all-day away from home.)

Teens: I’ve shared before that teens need to sense that they are getting out into the big world, evolving into young adults. Home can feel confining, redundant, risk-free. What felt safe and nurturing as a young child becomes confining and tedious past 13. These feelings are normal; they aren’t signs of rebellion or an inability to be happy. I recommend that your teens get involved in something much bigger than they are. One of my Brave Writer students became enamored of low cost, energy efficient housing and built eco-friendly homes in her backyard! Another started a fish breeding farm in the creek neighboring her house. These activities kept these students home, obviously. But home had become a bigger world!

And that’s the point. Home is either the refueling station between community college and aiding at the local elementary school three days a week, or it’s the means to pursuing a dream (writing a novel, inventing a language, crafting a quilt, remodeling the basement).

In our family, two of our teens joined a Shakespeare company that met downtown with professional actors and a wide variety of students once a week on the weekends with performances at the end of the year. I know teens who’ve built computers from scratch, are on high level sports teams, acted in plays, started parttime high school or junior college, worked for the first time, gone to art institutes, joined community or high school music programs, written for publication, and started businesses. Doing written narrations by themselves at the kitchen table is not enough for a teen’s education. And supervising the small children in the family is not a teen’s daily responsibility. We had the babies; they didn’t.

Teens need driver’s licenses and money. They need peers and challenges. And they need a home. That home is their anchor. They tack between feeling bold and anxious, mature and needing a parent. Home is the place where they can curl up and recharge.

Each teen is different so remember that some need more down time than others. You can monitor this by evaluating how well they manage emotionally. Paring down the outside activities can be one way to help them reconnect to themselves. But be cautious. Teens have a remarkable capacity to juggle many demands and some need that stimulation to become the competent people they want to be.

So what do you do if you have teens needing adventure and little kids needing a stable home routine? This is the trickiest period, but it’s important to be intentional. There are a couple ways to help your teens get out without sacrificing the little kids in the process (and there are ways to keep a nice, vibrant home life without forcing teens to sit home all day). Try some of these ideas and see how they work for you.

Commit to one big “out of the house”
project for your teen.

Support one big project (Shakespeare, biology class, refurbishing a car, All Star soccer). Pay for it, help get the teen to that project, show up for performances or whatever is required. Then, above that one big project, put the responsibility on your teen to make the other stuff happen. That means if it requires money, they earn it. If it requires rides, they coordinate (create the car-pooling, or drive themselves, or work it out with you so that it doesn’t interfere with your routine with the younger kids). They take responsibility for making the stuff they want… happen. That’s part of adventure, responsibility and risk. They choose to make their lives more interesting, richer.

Find one big project to work on at home.

This can be as sophisticated as constructing a language (I have one kid who did this) or as simple as becoming really good at World of Warcraft. It’s great if your teens have a goal that can be pursued at home: watching all the top AFI films, writing a novel, studying art history, planting a vegetable garden, rebuilding the engine of a car, building a website, learning photography. School work (the stuff that goes on the transcript) is necessary, but if it’s all that your teen does at home, home will quickly become a chore rather than a place your teen wants to be.

Protect your mornings.

Let your teens know that you need the mornings with your younger kids. That means you will resist being a ride between 8:00 and 11:00 every day. (If a teen needs a ride home from school or something routine like that and it doesn’t take you more than 15 minutes round trip to make it happen, then that’s not unreasonable… but be wary of interruptions that take a half hour or more.)

Triangle in other teen families.

It’s sure nice if your daughter and her best friend are both in the play together. Car-pooling! It’s great if a group of kids takes biology together so they can study, ride-share and have friends all at the same time.

Pass home responsibilities down
to the younger kids;
free your teens to do less at home.

Remember when your oldest was 10? You expected a lot (cleaning a bathroom, laundry, setting and clearing the table). But now that your youngest is 10, you still expect the 16 year old to do those chores while the 10 year old seems “too young.” Nonsense. Get your younger kids to do the chores and free the teen to study, have a social life, work a job, and pursue extra-curricular activities. This helps your teen want to be home, too.

Keep a computer in the family room.

This enables you to be with your youngers while your teens have a reason to leave their bedrooms.

Poetry Teatime

Posted in Brave Writer Philosophy, Family Notes, General, Homeschool Advice, Tips for Teen Writers, Young Writers | 5 Comments »

Email: Reports from the front and a question!


Julie,

I have been reading the Brave Writer Manual (The Writer’s Jungle) and LOVE IT.  I really like the easy approach you give us to teach our kids.  I’m still waiting for the October book to come into my library to start the Arrow program, so I’ll keep you posted on how that goes.

The charter requires everything that the state requires but my rep is also a college Language Arts teacher.  She wants Daniel writing long book reports, essays, and paragraphs when completing school work.  My son, up until Brave Writer “hated” anything that required writing.  He would cringe when constantly reminded that he needed to be able to write an essay for the state tests in April.  Even writing the answers to questions in our history book required my writing the answers he dictated to me and then he would copy them.

Yesterday, we went on a nature walk, in between the rain storms, and collected flowers he wanted to put in a vase and do a writing project on.  We started with using the five senses and listing descriptive words.  When he finished that I asked him to write one sentence (no worries about spelling, grammar, punctuation, etc.) and to my surprise he wrote two very good sentences.  He was so proud reading them to us when his dad came home from work.  When he was done, I congratulated him and let him know that he could be done for the day.  To my surprise he asked if he could write more.  Of course I said yes.

Julie, thank you for this great easy to understand writing program.  We are very blessed to have found you.

Ann

Thanks Ann! It’s always such good news to know that kids discover the power and pride of selecting words to represent their inner experience. You’re doing a great job!

—

Julie,

It’s wonderful to see you up and blogging again. You’re blog has encouraged me greatly these past couple years. I started a blog a couple years ago, because of your encouragement. Writing in it occasionally, my essay like entries reflect upon what I am learning on my journey. Rereading my blog, I notice how much of your philosophy on life (not just writing) has helped me flesh out the things I struggled with through my 19years of home educating. You have also made me realize the importance of example in my life to inspire others. The purpose I have for my blog is to impart to my children as they go through their journey of parenting. Your blog is one of two I come back to, continually. I just want to say thank you for inspiring me to inspire others.  : )

May God shower you with many blessings today!
Diane

Wonderful to hear from you Diane. I’m thrilled that my blog has encouraged you, but even more thrilled to know that you are writing your own! That’s what it’s all about.

—

Hi Julie-

Thanks for sharing at PEACH tonight and for signing your “autograph” on Stefanie’s writing book. 🙂 That will be inspiring for her! I have been using your TWJ (The Writer’s Jungle) electronic since Sept. and we ordered various older electronic Arrows to jive with our TOG readings this year,too.  At any rate, as I told you, it has been going really well. Stef is happier and not as reluctant anymore. She likes the freewriting.   Would you recommend our next step to be just keep doing what we are doing? [buy other Arrows as needed]. I wasn’t sure if doing the Kidswrite Basic would be doing more of the same but with a larger audience and seeing the other kids’ writing with the teacher interaction? Since she is 10, do we just keep going until she gets to middle/high school and use your other essay writing classes, etc? Just wondered your thoughts,

Cindy

Hi Cindy.

You’re doing all the right things. Glad she is growing and relaxing. Your understanding of KWB is accurate. It’s a great place to get feedback, to see other student writing and to ask your in-depth questions about becoming your daughter’s most effective writing coach and ally. If you want an experience that is similar in terms of level, but that uses the tools of TWJ for a different product, I suggest taking a look at the Just So Stories course. It starts on November 2 and gives your daughter a chance to apply her newly found enthusiasm and skills to a specific writing project. This course is not offered again this year and the instructor is our longest-term writing teacher. In other words, she’s fabulous.

In fact, I hope lots of families sign up for JSS as it will close soon. Your kids get to write stories about animals that make use of Rudyard Kipling’s delightful use of language. You’ll love the process and the results.

Posted in Brave Writer Philosophy, BW products, Email, Language Arts, The Writer's Jungle, Young Writers | Comments Off on Email: Reports from the front and a question!

Lapbook Success!

Want to see how a lapbook can be used as a way to foster writing?

Thanks to Teresa and Joshua (10) for your permission to share your wonderful work!

Joshua’s lapbook below features what he learned about sharks, a passion of his. Teresa and I had discussed what to do about spelling errors, etc., via email. The basic idea is to slowly develop the skill of self-editing (kids edit their own work) and I gave her strategies for how to nurture that practice successfully. Enjoy!


Hi Julie,

This is for Joshua’s (10) September assignment – a mini report on Sharks.

I have attached 3 photos and retyped his text below.  This is completely his design and content.  What is interesting is that he wrote more about sharks in his freewrite, but he did not want to include it all in the report.  He knows SO much more than he was willing to put in there.   I am typing the text exactly as on the report, errors and all…

Photo “Sharks1”

He designed it so that the photos are numbered and on a slide.  When you open the book, the center writing area has the corresponding number for that photo with a blurb about it.

Youngblood

Photo “Sharks2”

Center text:

News flash, this just came in about sharks

1) One of the five most dangeres sharks the Great white.

2) Sharks have a sixth sence of sencing energy, this shark is sencing the fishes moovment or energy.

3) This picture is about how sharks find there food.

Right flap text (fictional story):

The dog and the shark
by Joshua Youngblood

There once was a dog and shark and this is the story of how they became friends.
One day John went on is boat whith Jack his dog. They went out into the ocean, but John forgot to poot the boat tale gate up so when he made a sharp turn and Jack slipped and fell into the ocean. When John got home he realised that Jack wasn’t there, meanwhile Jack was swimming around when he saw a shark coming at him Jack thought he was going to be eatten but he was not eatten, Jack asked the shark if he could bring him home and the shark said yes and they becaum friends. The shark took Jack to John and they lived happely ever after. THE END!

image008

Photo “Sharks3”

Left flap text (Prelutsky poem copywork):

In the middle of the ocean,
In the deep deep dark,
Dwells a monstrous apparition,
The detested RADISHARK.
It’s an underwater nightmare
That you hope you never meet,
For it eats what it wants,
And it always wants to eat.

Its appalling, bulbous body
Is astonishingly red,
And its fangs are sharp and gleaming
In its huge and horrid head,
And the only thought it harbors
In its small but frightful mind,
Is to catch you and to bite you
On your belly and behind.

It is ruthless, it is brutal,
It swims swiftly, it swims far,
So it’s guaranteed to find you
Almost anywhere you are.
If the RADISHARK is near you,
Pray the beast is fast asleep
In the middle of the ocean
In the dark dark deep.

image009

Tags: lapbooks
Posted in Activities, Poetry, Spelling, Young Writers | 5 Comments »

That Absurd Little Bird: The Topic Sentence

The Topic Sentence

If you want to see my dyed gray hair stand on end, talk to me about the importance of the initial topic sentence.

“My left earlobe is very attractive for three reasons.”

“I like anchovy ice cream more than pizza.”

“Captain Diaperpants is an entertaining book and I highly recommend it.”

Need I go on? ::yawn::

Truth is: The topic sentence is to the paragraph what support hose are to varicose veins. We don’t really want to be aware of the work they’re doing. They offer support, yes, but why announce that fact to the world? The best ones are hidden in the compelling-to-read prose.

I was lurking on the Internet and read a whole bunch of sample paragraphs on a writing site for homeschooled students. The curriculum writer stressed the importance of both the topic sentence and structured, orderly writing as hallmarks of correct writing. She then conceded that this kind of writing would be “stiff and stilted and even boring in most cases,” but it didn’t matter. Didn’t matter? In what universe? The point was to learn to write these orderly, cardboard, stiff, spiritless, uninspired, i-n-s-i-p-i-d paragraphs (::grinding teeth::) with duty and diligence no matter how painful to the reader.

Oh break my writerly heart!

Reverse the curse of the initial topic sentence.

Here’s how:

  • Start in the middle.
    Don’t tell me all I need to know in the first sentence. Once I find out that you are a black belt in karate, what interest do I have in reading how you earned the belt? Start with the struggle, facing the board as you prepare to sever it in half as with a cleaver. Leave me hanging out there, flapping in the breeze, worried and curious.
  • Get me involved.
    Use sensory detail to suck me into the scene without revealing your point until I’m hooked: “I sneezed when I leaned over the basket of cumin to examine it for bugs. The spicy fragrance reminded me of kasbahs and Moroccan stews. Unfortunately, I found myself in a modern Farmer’s Market in downtown Cincinnati instead. I miss North Africa.”
  • Put the main idea at the end of the paragraph.
    Most freewriting will start with a typical topic sentence that generalizes about the subject for writing. That’s fine when getting your thoughts together. To help hide the know-it-all sentence when you revise, move it to the end and see what happens. Like in the sample above—the topic sentence is last to appear. It’s so much happier modestly revealing itself at the end.

I know, I know. I didn’t even talk about the all important topic sentence in academic writing or in subsequent paragraphs. We’ll get to that another day.

For now, hook me, seduce me, scare me, move me, grab me by the collar, and don’t let me go. Lure me into your writing by concealing the point. That’s the point! (And that second-to-last sentence you just read, the one pretending not to be a topic sentence, is the topic sentence for this piece, artfully concealed until the end, incidentally…)

Groovy Grammar Workshop

Posted in Language Arts, Writing about Writing, Young Writers | 6 Comments »

Why Poetry?

Why Poetry

Why poetry?

Lots of parents are intimidated by poetry. They feel inadequate (imagining that poets hide mysteries within their rhymes) to plumb the depths sufficiently for insight and meaning, thinking their kids will not “get it” either. High school poetry units often left many of us scratching our heads rather than savoring language.

In the homeschool, you get to reclaim poetry as a legitimate tool of language arts. Poetry is all about the words: choices, sounds, relationships, punch. Poetry aims to get a message/story across within limits: meter, rhyme, alliteration or assonance (or both!), stanzas, numbers of words. It’s the Sudoku of language!

Here are the ways I recommend you dip your toes into the stream of poetic expression:

1. Read it.

Don’t worry about meanings, themes, alliteration, rhyme schemes or meter. Simply let the words roll around in your mouth. Read the poem and ignore the temptation to wonder at it. Let yourself feel the words. You might only react positively to a word pair or one ending rhyme. That’s perfectly fine! In poems that don’t offer up their meanings easily, start with reading and letting yourself connect to whatever it is that draws your attention. (If nothing does, it’s fine to move on to the next poem. No need to squeeze “blood from a turnip.” You might “get it” some other year.) Also, read it through multiple times before you render a judgment. Poems benefit from multiple readings.

2. Listen to it.

As you read it aloud (or as the poem is read to you), listen to the sounds. Ignore meanings completely. What stands out? Rhyme? Repeated vowel sounds (assonance)? Repeated initial consonant sounds (alliteration)? Repeated consonant sounds throughout the line or poem (consonance)? How about interesting word uses (a noun acting as a verb, or a made-up word like you’ll find in Carroll or cummings)? Is there a rhythm you can anticipate? Can you beat your hand to the sounds – the accented syllables versus the ones that don’t make you slap your leg? Is there a pattern (each line starts with “I wish…” or ends with “…and so it goes”)?

3. Listen to it for word choices.

In addition to noting the sounds, note the word choices. Are there surprises (words used in ways you wouldn’t ordinarily think of them)? Are they plain words (nothing special except they all go together in an interesting way)? Do you find yourself thinking about the way a word is used? Does the poet focus on concrete experiences or metaphor or something else? Is it funny? Why? Puns? Irony? Punchline humor?

4. Meaning or theme?

Now we get down to the point of writing the poem. What’s it about? You can be as superficial as you want. Just get the gist. Consult your kids if you feel stuck. They are surprisingly insightful. Figure out if the poem paints a picture of an emotion or experience, or if it is detailing a story or telling an idea. Perhaps it is commenting on a theme such as patriotism or friendship or love or autumn.

5. Do you like it?

Guess what? No right answers here. If you find it inscrutable, hard to read aloud, beyond your reach intellectually, of course you won’t like it and you don’t have to. It may be that you aren’t the right audience or it could be that you haven’t yet cultivated your poetic “sensibility” enough to get this more sophisticated poem. Remember: there are just some arenas where depth supports understanding (algebra and calculus are two of them; poetry is another). So if it so happens that you can’t appreciate some famous poem all your teachers told you was the best in its genre in 1762, that’s okay! You’re not there yet and you don’t need to be.

When you read poetry with kids, choose books that are high on rhyme, humor and concrete experiences. You’ll know they like it if they want to keep reading more from the same book. If they don’t, pack it up. Send it back to the library and go to the next book. The goal here is enjoyment of language. So many good (subconscious) things are going on in your head and in your kids’ heads when they play with poetry. Serve tea, cookies and a big side of optimism and your poetry experiences will become the highlight of your week. Trust me. I’ve seen it happen thousands of times.

Share favorite poetry books in the comments or ask me questions (or tell your story!). I’d love to hear from you.

Poetry Teatime

Posted in Brave Writer Philosophy, Poetry, Tips for Teen Writers, Young Writers | 6 Comments »

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