Archive for the ‘Poetry’ Category

Happy St. Patrick’s Day!

Wednesday, March 17th, 2010

How about writing a limerick with your kids today to celebrate?

Here’s the format (each space is a syllable, not a word):

______ ______ ______ ______ ______ ______ ______ ______
______ ______ ______ ______ ______ ______ ______ ______
______ ______ ______ ______ ______
______ ______ ______ ______ ______
______ ______ ______ ______ ______ ______ ______ ______

For a fun Irish twist, look up some cities on a map of the Green Isle and use them in your Limericks:

  • Dublin
  • Galway
  • Kilkenny
  • Cork
  • Derry
  • Armagh
  • Belfast
  • Lislurn

You might add Irish items like pots of gold, rainbows, leprechauns, and shamrocks. St. Patrick is also a perfectly suitable character to include in your St. Patrick’s Day limerick, too. Of course.

Here’s a Limerick by the intrepid Edward Lear (his are most famous and can be found in a quick google search):

There was an Old Man of Kilkenny,
Who never had more than a penny;
He spent all that money,
In onions and honey,
That wayward Old Man of Kilkenny.

Please post your delightful results when you finish!

Email: Freewrite poem

Sunday, March 7th, 2010

Freewrites are Wacky
Freewrites are Weird
Freewrites are funny
They’re worse than you feared

Freewrites are writing the stuff in your mind
When the timer rings then you might find
you’ve a poem ’bout pliers
a book about tops
You know you’ll have something when the timer stops!

Sam Morris (12)

I love when your kids send me their writing. How delightful is this? Thanks Sam for letting me share it with the world.

If you have a child who needs some writing encouragement, send me their work and I may share it here just like I did Sam’s. Could be a great way to connect the power of writing with the power of publishing.

Lucille Clifton (Poet, RIP 2/13/10)

Tuesday, March 2nd, 2010

Today I’m reading some poetry by Lucille Clifton, an African American poet whose work is bright with the power of self-creation, triumph and the fierce embrace her female-ness. I want to share a couple with you:

won’t you celebrate with me?

won’t you celebrate with me
what i have shaped into
a kind of life? i had no model.
born in babylon
both nonwhite and woman
what did i see to be except myself?
i made it up
here on this bridge between
starshine and clay.
my one hand holding tight
my other hand; come celebrate
with me that everyday
something has tried to kill me
and has failed.

hips

these hips are big hips
they need space to
move around in.
they don’t fit into little
petty places. these hips
are free hips.
they don’t like to be held back.
these hips have never been enslaved,
they go where they want to go
they do what they want to do.
these hips are mighty hips.
these hips are magic hips.
i have known them
to put a spell on a man and
spin him like a top!

my dream about being white

hey music and
me
only white,
hair a flutter of
fall leaves
circling my perfect
line of a nose,
no lips,
no behind, hey
white me
and i’m wearing
white history
but there’s no future
in those clothes
so i take them off and
wake up
dancing.

Email: Teatimes all the time

Tuesday, February 2nd, 2010

This has to be my favorite email question ever:

Dear Julie and Bravewriter Staff,

Is is okay to do tea time and poetry every day? I was just wondering….

Julie Patrick

Yes. :D

Long Answer:
My kids and I did teatimes daily for a long time. Most of them included poetry. We’ve gone through periods where we do them once-a-month too. Really, focus on your own intuitive sense of what creates joy, peace and learning. If teatime and poetry centers your family and leads to a productive morning, why not do them daily!? Don’t overdo them, though. If the enthusiasm wanes, time to try something else.

Tea is the standard way we unwind in my house, so we’ve had math teatimes, history teatimes, celebratory teatimes and wind-down-from-stress teatimes too. ENJOY!

Finding a Rhythm

Thursday, October 22nd, 2009

The Brave Writer Lifestyle may be in danger of becoming a group of words that lose meaning. When I first chose the word “lifestyle” to express the kind of language arts and writing environment that I hope families can create, I did so because I wanted to undercut the negative associations with the word “curriculum.”

“Lifestyle” is a routine or habit of being that relishes good books, writing, poetry, language, talking, movie viewing, and listening. These habits of being will foster better spelling, deeper readings, insight into stories and plots, an appreciation for good writing, an ability to translate one’s thoughts into written expression, a sophisticated vocabulary, interest in languages, (especially one’s own), openness to all kinds of writing genres (including poetry, plays, fiction and non-fiction), and a general love for the language arts.

Because we use the term “lifestyle” so much around here, it might become just the third word in the trio that substitutes for what others might see as a curriculum.

A writing curriculum or a language arts program is geared toward mastering skills. They may, as a by-product, help you to deconstruct difficult grammar, discover a wonderful book or teach helpful writing techiniques. Additionally, a program offers structure and a linear step-by-step measurement of movement forward. This is why curricula and programs will never completely fall out of fashion and have their place! But they are not a lifestyle.

Brave Writer offers a different vision. We have certain practices we recommend that have proven beneficial for grammar and spelling, for writing and narrating. But they are simply that: habits or practices. They can be used to advantage or skipped for a time while a child investigates some other aspect of language or writing. You can use programs and curricula to support you in a targeted area of language arts or writing instruction (like an online class, or programs like the Arrow or Boomerang). But these are supports to the lifestyle, not substitutes for it.

A lifestyle implies habit and fluidity, routine and flexibility. You get to decide what is working and what is not.

For those who are “‘tweens” - between curricula and the vision of a lifestyle - let me offer you a single suggestion for how to embrace the lifestyle as you reorient yourselves.

Start with ONE thing.
Pick one activity or habit or practice or idea that sounds fun to you and do that first. Do it well. Don’t add to it.

So if you want to read poetry with your kids, go to the library and find a good poetry book. Just get a poetry book. Don’t get sixteen other books to read.

Share the book with your kids. Leave it on the coffee table. Read it at bedtime or with tea or during dinner. Let your kids read and hold it. Mark your favorite poems with bookmarks and reread them. Memorize a poem. Write one each morning on the white board. Write a poem in a notecard and keep it in your pocket all day, then reread it in the morning, in the grocery line and before you make dinner. Enjoy poetry.

Too often we rush through the ideas on our list of good ideas and then wonder why nothing is taking hold. Stop. Read the ONE book and see how much you can get out of it for a week.

Maybe you’ll illustrate poems, or copy them over, or read them at the dentist’s office, or memorize one to share with visiting relatives. Maybe you’ll want to write a poem yourself. Maybe your kids will. Maybe this book will lead you to another book of poems or to one single poet. Let it do its work. Don’t force it.

The point is that if you make poetry just one of the many things you must do this week to achieve the “Brave Writer Lifestyle,” you may not enjoy the poetry. You might find yourself thinking about how after you read the poetry book, you ought to be copying quotes into copy books. And what about freewriting? And will that subscription to the Arrow turn out to be worth it? Suddenly your mind is off of the poem and on “curriculum planning.”

Don’t fall for that trap.

Slow down. Start with one thing. You can build on one good experience. You’ll find that one positive language arts experience enriches the whole. Perhaps the poem you read will naturally lend itself to a discussion of theme (Gerard Manley Hopkins), or grammar (Lewis Carroll), or word choice (Jack Prelutsky), or even a historical moment that gives context to the poet’s writing (Langston Hughes).

When you have exhausted the poetry book, pick the next enticing idea. (Don’t pick the one you think you should pick - I give you permission to follow your enthusiasm.) Enjoy it. Live it.

Follow these steps:

  1. Prepare for the experience (get the book, buy the ingredients for a recipe for teatime, read ahead in the novel, order the film from Netflix - whatever the activity is).
  2. Set up the experience for success by picking a date and planning to execute it that day. Clear your day of other burdens. Focus.
  3. BE HERE NOW - while you are in the experience, don’t let your mind wander to math or orthodontist appointments or bills. Unplug the phone, turn the ringer off your cell, close the laptop. Enjoy what you are doing and do it fully, without guilt.
  4. Reminisce. When the experience ends, a few days later, talk about it. Remember what was enjoyable. Say it out loud, to your kids, to your friends. Write it up in a blog or email your mother. Be sure to validate the positive experience so that it becomes a memory to treasure and share.

You might notice that these steps work great for teatimes or trips to the art museum. What about something more philosophical like, listening attentively to your children? Start by thinking of all the ways you can be a better listener. Can you take one child out for coffee, another on a walk, swim with one at the Y, see a movie and then chat about it on the way home with yet another?

Do it! It counts. See where it leads.

Can you choose to sit on the couch for a minute today with one child? Might it work to put one child to bed and to lie on that bed for fifteen minutes to cuddle and converse? Do it! Plan it, set it up for success, be fully in the moment and then remember the good that came from it.

You can’t plan time for listening and then fill up your days with lots of busy work. Focus on listening and let that be the frame of reference for everything you do that week.

Allow this year to be the one where you taste-test all the great ideas. Some will stick. Some will bomb. The ones that energize you and your kids will become natural habits because they make you and your kids happy, and you see fruit in their lives.

After many months, you will find that you have a lifestyle all your own.

One Mom’s Lapbook Success

Wednesday, October 14th, 2009

This summer we offered a Custom Writing and Language Arts Planning Program to moms who were interested in having me help them create a tailor-made writing and language arts curriculum for the year. The projects they’re completing are rolling in and I wanted to share this one as an example of how a lapbook can be used as a way to foster writing. Thanks Teresa and Joshua (10) for your permission to share your wonderful work!

Joshua’s lapbook features what he learned about sharks, a passion of his. Teresa and I discussed what to do about spelling errors, etc., via email. The basic idea is to slowly develop the skill of self-editing (kids edit their own work) and I gave her strategies for how to foster that practice successfully.

Enjoy!

Hi Julie,

This is for Joshua’s (10) September assignment - a mini report on Sharks.

I have attached 3 photos and retyped his text below.  This is completely his design and content.  What is interesting is that he wrote more about sharks in his freewrite, but he did not want to include it all in the report.  He knows SO much more than he was willing to put in there.   I am typing the text exactly as on the report, errors and all…

Photo “Sharks1″:
He designed it so that the photos are numbered and on a slide.  When you open the book, the center writing area has the corresponding number for that photo with a blurb about it.

Youngblood

Photo “Sharks2″:
Center text:

News flash, this just came in about sharks

1) One of the five most dangeres sharks the Great white.

2) Sharks have a sixth sence of sencing energy, this shark is sencing the fishes moovment or energy.

3) This picture is about how sharks find there food.

Right flap text (fictional story):

The dog and the shark
by Joshua Youngblood

There once was a dog and shark and this is the story of how they became friends.
One day John went on is boat whith Jack his dog. They went out into the ocean, but John forgot to poot the boat tale gate up so when he made a sharp turn and Jack slipped and fell into the ocean. When John got home he realised that Jack wasn’t there, meanwhile Jack was swimming around when he saw a shark coming at him Jack thought he was going to be eatten but he was not eatten, Jack asked the shark if he could bring him home and the shark said yes and they becaum friends. The shark took Jack to John and they lived happely ever after. THE END!

image008

Photo “Sharks3″:
Left flap text (Prelutsky poem copywork):

In the middle of the ocean,
In the deep deep dark,
Dwells a monstrous apparition,
The detested RADISHARK.
It’s an underwater nightmare
That you hope you never meet,
For it eats what it wants,
And it always wants to eat.

Its appalling, bulbous body
Is astonishingly red,
And its fangs are sharp and gleaming
In its huge and horrid head,
And the only thought it harbors
In its small but frightful mind,
Is to catch you and to bite you
On your belly and behind.

It is ruthless, it is brutal,
It swims swiftly, it swims far,
So it’s guaranteed to find you
Almost anywhere you are.
If the RADISHARK is near you,
Pray the beast is fast asleep
In the middle of the ocean
In the dark dark deep.

image009

Why Poetry?

Wednesday, September 30th, 2009

It’s been awhile since I’ve made my case for poetry. So let’s do that today!

Why poetry?

Lots of moms are intimidated by poetry, imagining that poets hide mysteries within their rhymes. They feel inadequate to plumb those depths sufficiently for insight and meaning, thinking their kids will not “get it” either. High school poetry units often left many of us scratching our heads rather than savoring language.

In the homeschool, you get to reclaim poetry as a legitimate tool of language arts. Poetry is all about the words: choices, sounds, relationships, punch. Poetry aims to get a message/story across within limits: meter, rhyme, alliteration or assonance (or both!), stanzas, numbers of words. It’s the Sudoku of language!

Here are the ways I recommend you dip your toes into the stream of poetic expression:

  1. Read it. Don’t worry about meanings, themes, alliteration, rhyme schemes or meter. Simply let the words roll around in your mouth. Read the poem and ignore the temptation to wonder at it. Let yourself feel the words. You might only react positively to a word pair or one ending rhyme. That’s perfectly fine! In poems that don’t offer up their meanings easily, start with reading and letting yourself connect to whatever it is that draws your attention. (If nothing does, it’s fine to move on to the next poem. No need to squeeze “blood from a turnip.” You might “get it” some other year.) Also, read it through multiple times before you render a judgment. Poems benefit from multiple readings.
  2. Listen to it. As you read it aloud (or as the poem is read to you), listen to the sounds. Ignore meanings completely. What stands out? Rhyme? Repeated vowel sounds (assonance)? Repeated initial consonant sounds (alliteration)? Repeated consonant sounds throughout the line or poem (consonance)? How about interesting word uses (a noun acting as a verb, or a made-up word like you’ll find in Carroll or cummings)? Is there a rhythm you can anticipate? Can you beat your hand to the sounds - the accented syllables versus the ones that don’t make you slap your leg? Is there a pattern (each line starts with “I wish…” or ends with “…and so it goes”)?
  3. Listen to it for word choices. In addition to noting the sounds, note the word choices. Are there surprises (words used in ways you wouldn’t ordinarily think of them)? Are they plain Jane words (nothing special except they all go together in an interesting way)? Do you find yourself thinking about the way a word is used? Does the poet focus on concrete experiences or metaphor or something else? Is it funny? Why? Puns? Irony? Punchline humor?
  4. Meaning or theme? Now we get down to the point of writing the poem. What’s it about? You can be as superficial as you want. Just get the gist. Consult your kids if you feel stuck. They are surprisingly insightful. Figure out if the poem paints a picture of an emotion or experience, or if it is detailing a story or telling an idea. Perhaps it is commenting on a theme such as patriotism or friendship or love or autumn.
  5. Do you like it? Guess what? No right answers here. If you find it inscrutable, hard to read aloud, beyond your reach intellectually, of course you won’t like it and you don’t have to. It may be that you aren’t the right audience or it could be that you haven’t yet cultivated your poetic “sensibility” enough to get this more sophisticated poem. Remember: there are just some arenas where depth supports understanding (algebra and calculus are two of them; poetry is another). So if it so happens that you can’t appreciate some famous poem all your teachers told you was the best in its genre in 1762, that’s okay! You’re not there yet and you don’t need to be.

When you read poetry with kids, choose books that are high on rhyme, humor and concrete experiences. You’ll know they like it if they want to keep reading more from the same book. If they don’t, pack it up. Send it back to the library and go to the next book. The goal here is enjoyment of language. So many good (subconscious) things are going on in your head and in your kids’ heads when they play with poetry. Serve tea, cookies and a big side of optimism and your poetry experiences will become the highlight of your week. Trust me. I’ve seen it happen thousands of times.

Share favorite poetry books in the comments or ask me questions (or tell your story!). I’d love to hear from you.

Taking time for you

Wednesday, June 24th, 2009

I know it’s tough to carve out time for you when you’ve got children who need lunch, rides, help and sleep. I have a few tricks up my sleeve for how to recharge even with kidlets at your feet. Let’s break these down into time allotments. So, for instance, if all you’ve got is 30 seconds, you can still take time for you.

30 Second Time Out

  • Splash water on your face
  • Steep a cup of tea
  • Look out a window and SEE a bird (name it if you can)
  • Put on lipstick
  • Look in the mirror and smile at yourself
  • Get a child to massage your shoulders
  • Stretch your body (arms over head, up on tip toes; or, sideways bends in each direction, feet apart)

5 Minute Time Out

  • Drink that cup of tea in one chair (don’t move - sit all the way through it)
  • Clear one annoying surface (couch, coffee table, kitchen counter)
  • Page through a new magazine (just page - you don’t have to read it)
  • Send a text to a friend
  • Put on make-up (quick version - mascara, blush, lip gloss) and earrings
  • Prop up your feet and lean head back; close your eyes
  • Take a brisk walk around your house (outside if possible)

15 Minute Break

  • Turn on music you pick (iPod, radio, speakers for your iPod)
  • Read poetry (get that book out and sit with a couple of poems)
  • Close your eyes and lie on the couch (eye pillow is really great if you have one)
  • Email someone
  • Walk down the block (alone if possible, or with baby in sling or backpack - keep house in sight)
  • Read one chapter of the book you want to read
  • Make your bed and straighten your bedroom

30 Minute Break

  • Combine some of the ideas above: tea with poetry and music, for instance
  • Take a run, do yoga, stretch, go for a bike ride, take a long walk
  • Focus on a project (for instance, put in 30 minutes toward playing piano or working on an art collage or planning a new kitchen)
  • Study something YOU want to study (design, art history, growing herbs, theology, nutrition, quilting)
  • Call a girlfriend
  • Take a nap (set the timer)
  • Take a shower

3 Hour Break

  • Get out of the house (that means, this break is planned so childcare is handled)
  • Go to a coffee shop, library or a natural setting like a park (rejuvenate)
  • See a movie with a girlfriend (or alone)
  • Eat out (choose some place tasty)
  • Visit an art museum without your kids
  • Go to a botanical garden
  • See a play
  • Write (if you write); Paint (if you paint); Craft (if you craft); Play music (if you play something)

If you can contrive a longer break, by all means take half a day or a full day. I used to take Monday nights (three hours) to go to the library. My husband would look after the kids (they were little!) and I’d reserve one of the library’s private conference rooms. I’d go in the room and either write (I was working on a book), write songs (I was learning guitar at the time and loved writing lyrics), pray (some weeks were like that) or cry (other weeks were like that). It was my time to use as I wished. I liked the library because no one could get to me, it was blissfully quiet and I would not be interrupted by anyone or anything.

Even tiny breaks are good. Put a flower in a vase, light a candle, eat one square of chocolate that you’ve hidden in your cupboard, straighten the photos on your refrigerator, brush your hair (feel the bristles on your scalp), make yourself smile, notice a reflection and see it… Be in the moment for a moment today. It helps.

Happy Birthday William!

Thursday, April 23rd, 2009

Shakespeare that is.

Fun Shakespeare facts:

  • Nobody knows Shakespeare’s true birthday. The closest we can come is the date of his baptism on April the 26th, 1564. By tradition and guesswork, William is assumed to have been born three days earlier on April the 23rd, a date now commonly used to celebrate the famous Bard’s birthday.
  • Shakespeare, one of literature’s greatest figures, never attended university. (Unschoolers take courage!)
  • The Bard is believed to have started writing the first of his 154 sonnets in 1593 at age 29.
  • William never published any of his plays. We read his plays today only because his fellow actors John Hemminges and Henry Condell, posthumously recorded his work as a dedication to their fellow actor in 1623, publishing 36 of William’s plays. This collection known as The First Folio is the source from which all published Shakespeare books are derived and is an important proof that he authored his plays.
  • As an actor performing his own plays, William performed before Queen Elizabeth I and later before James I who was an enthusiastic patron of his work.

(taken from http://absoluteshakespeare.com/trivia/facts/facts.htm)

Shakespeare is said to have coined more than 1,700 words in his lifetime many of which we use today. To read a list of words, go here.

May is Shakespeare month for Brave Writer. Be sure to sign up for the One Thing Workshop: Shakespeare if you want a little hand-holding and joy in discovering the Bard with your kids.

Check out Shakespearegeek for more fun with Will.

You can Talk like Shakespeare too!

Tuesday Teatime: The Vorderbruggens

Tuesday, April 21st, 2009

voderbruggen1
voderbruggen2
“What about teatime?” my five year old daughter asked me. I anticipated the disappointment in her face if I told her that we couldn’t have teatime because I was running late and we had to rush to pick up her three year old sister from preschool.

I’d read about Tuesday Teatimes on the BraveWriter web site and had been immediately enchanted with the idea. We normally had teatime just before picking up the three year old because I wasn’t so enchanted with the spills, crumbs, squirming, and interruptions that come with a toddler. I sighed and thought about my blue mug that my older daughter had shattered at our very first teatime and wondered how much more damage her younger sister could do. Then I let it go. “Today we’re going to have teatime with sissy.”

Since then all three of us have had several teatimes. I prepare a sweet snack and hot chocolate or lemonade. We set the table with lovely, fragile dishes and a cheap boquet of flowers from the grocery store. My five year old and I take turns reading poems from our growing collection of poetry books. The three year old turns her food into a growing mound of crumbs. We have a good time and move on to the rest of the day.

Then last week teatime started paying extra dividends. We were on our weekly nature walk when I heard my five year old say

“Under the lily pads,
Throughout the pond,
Nice and pretty,
Nice and blond.”

At the first two lines I thought she was quoting something from teatime. Then with the last two lines, it dawned on me that she had created her own poem about the white fish we were looking at.

At teatime the next day, my daughter asked if she could recite her own poem, and of course I said yes.