Archive for the ‘Writing Exercises’ Category

Writing through the tears

Monday, February 22nd, 2010

Who can do anything well while crying?

Can you type while crying? Make dinner? Have sex? Probably not.

Tears are an indication that something is dreadfully wrong. They signal pain:  emotional or physical. In writing, emotional pain may be writer’s block or fear of making a mistake. Physical pain may be that the hand hurts from squeezing the pencil too tightly, or eye strain, or physical exhaustion from a poor night’s sleep. Crying is not a sign of laziness or lack of character. Crying is the last release, the final “giving up” and admission of failure. Crying signals: I need comfort.

When the tears come, the writing’s done.

Take a break. Acknowledge your child’s feelings: I see that you’re unhappy. Let’s talk about this later. Offer a hug.

Later, come back to your child and find out what’s going on. Ask:

Are you afraid of making a mistake?

Is it too hard to grip the pencil for ten minutes straight?

Are you having a hard time spelling?

Do you wish you could play outside in the sunshine rather than sit at a table?

Does it feel like you have nothing to say?

Are you sleepy? Hungry?

Be an investigator and a comforter. A cup of tea and eye contact will go a long way toward soothing the hurting writer. Remember, writer’s block is the usual reason for writing paralysis (not strong wills or sinful natures). Writer’s block means the child doesn’t have access to the words inside. The words are hidden behind anxiety, fear of failure, or a vague sense of the topic (not enough depth in the topic to be able to talk about it meaningfully in writing).

Writer’s block is experienced by everyone (pros, professors and prodigies) and at its most acute, produces tears. So give oodles of empathy, hugs, and comfort foods. Then talk about how to make writing less painful. Take some time to remind yourself of the goal - a free, brave writer who is at ease when writing, not gripped with anxiety and fear.

Julie

P.S. If you find it hard to know how to get beyond the tears and writer’s block, peruse my website and the archives of this blog for ideas. I also devote a good chunk of The Writer’s Jungle to this subject as well.

Freewriting is one of our favorite tactics for unblocking stuck writers. Another idea is to stop writing all together for awhile and work on building a relationship where talking freely and well is cultivated. That means, of course, that you will seek opportunities to drive your kid to his destinations so that you can chat the whole way, drawing him out, listening to what he knows lots about and encouraging him to share as much as he can as well as he can… so he’ll grow in verbal self-expression.

Writing through the holidays

Monday, December 7th, 2009

This is a great season for capitalizing on natural writing opportunities (rather than relying on contrived assignments). I’ve included some of the most obvious ideas along with ones you may not have thought of! I’ve also organized them to fit with the Natural Stages of Growth in writing (taken from Chapter 14 of The Writer’s Jungle).

Jot it Down (kids who can handwrite and/or copy writing):

  • caption photos in a family holiday letter
  • write out tags for wrapped gifts
  • create placecards for your holiday meal
  • write gift wish lists
  • address envelopes for holiday cards

Partnership Writing (you help with transcription):

  • all of the above in “Jot it Down” works well with Partnership phase too
  • retell and write a short description of the year’s biggest highlight for family letter
  • copying lyrics from Christmas hymns or other holiday music
  • writing a list of holiday traditions to remember
  • putting holiday events on a posted family calendar
  • thank you notes for gifts received

Faltering Ownership (kids who are writing, but are still not high school level):

  • interview family members for holiday letter
  • write your own memories of the year and send in holiday letter
  • journal about each holiday event and bind in a little notebook at the end of holiday season
  • plan and execute a New Year’s party (including invitations, games, food to purchase)
  • copy holiday cookie recipes onto notecards, make cookies

Transition to Ownership (junior/high school level):

  • take control of the family holiday letter (interview family members, organize and execute)
  • take photos of the holiday season, caption and scrapbook as the month goes along
  • keep a notebook of quotable quotes from the family over the month
  • write a meaningful description of what the holiday means to you personally and share on holiday
  • reflect on a significant piece of religious or reflective literature by freewriting or journaling about it

One Writing Project Per Month

Wednesday, September 23rd, 2009

Brave Writer philosophy suggests that you only tackle one writing project per month, per kid. That’s right. One a month. I figure you’ll get sidetracked by Thanksgiving or surgery or a ski trip during a couple of those months meaning, you may not complete the project slated for that month. Therefore, if you have ten projects slated and get 6-7 of them through the revision process in a school year, be happy! You’ve done good work!

But wait, how does this work? you ask. I understand. It sounds like so little output. So let me give you some guidelines for why writing less equals more value.

Let’s look at the four week process for writing any piece (paragraph, letter, essay, poem, article, story).

  1. Week One: Saturation
    During the first week, you aren’t writing. You’re reading, talking, watching videos, looking stuff up on the Internet. You might also be doing the thing you will write about. If the topic is Native American basket weaving, perhaps you will even try to weave a basket! No writing comes forth without saturation in the topic/subject matter. This is why we always recommend that your kids write about what they know well. They’ll have richer vocabulary and a deeper grasp of the topic. If the topic is new-ish to your student, you need more time to absorb the material before becoming saturated. Might take two weeks or three. Don’t rush it. Writing is the result of an overflow of knowledge about a topic. You can’t read a paragraph about Columbus and then require your child write a paragraph about Columbus. The sane response from a child is: But didn’t we just read about Columbus?
  2. Week Two: Freewriting
    The second week is when you put pen to page. This is the time to get words from the guts upchucked onto paper. We do this in any way we can. We use freewriting to help catalyze that process. You can do several freewrites over a period of days. There’s no law in the writing world that says the first draft is the only draft. You can select parts of the topic to write about and do those over two or three days with breaks in between. During the freewriting (or drafting) week, the goal is to get as much raw writing to work with as possible. Think of a specific aspect of the topic (gathering materials for basket weaving) and write about it. Then on another day focus on another aspect (patterns in basket weaving). Break it up! Makes life so much happier.
  3. Week Three: Revision
    Revision is not the same thing as editing (when I use the term). Revision is injecting new vision into the raw writing. It’s re-imagining the piece so that it springs to life. During revision, you want to focus on content, not mechanics. That means you’ll read the freewrites and look at places you can narrow the focus and expand the writing. Perhaps your child wrote, “Basket weaving is hard work.” You can look at that sentence and ask for more! What does he mean by “hard work”? Can he describe the process? And so on. You might want to rewrite the opening line (I always recommend that). Make it pop, surprise, sizzle. Draw the reader right in. Revision can take many days or short bursts of energy tackling a little bit at a time. Don’t do it all in one day. Don’t fatigue your young writer. Revise two or three important content related items and leave the rest alone. (Psst. I promise anything you don’t correct in this piece will magically reappear in another for you to address at a later date.)
  4. Week Four: Mechanics Mop-up
    Now you edit. Editing is simply cleaning up all the stuff that makes the paper hard to read: misspellings, missing punctuation, grammar errors, typos, indentations. Have your child look over his or her work first. Let the student find as many errors as possible. You only make the additional changes once the child has taken a whack at it. Never complain about something he or she missed. Make a mental note that you need to address the semi-colon in copywork or dictation. Let what they miss be information to guide you in teaching; don’t use it as a way to shame your child. Print and share with readers.

Once you work through this process, you’ll have had a rich experience of how writing is supposed to work. Believe me, doing this 5-6 times in a year is a huge amount of teaching! Far superior to cranking out contrived paragraphs based on tedious writing prompts in a workbook. Give your kids the chance to experience what writers actually do. They saturate and incubate. They mess around with words, getting their ideas onto the page or computer screen however they might. They revise those words once they get a little distance to make them more compelling and interesting. Then they mop up the mistakes and share it with readers! Your kids get to do that too. For more information on how to do this process, see The Writer’s Jungle.

Email: Tweaking the assignment to the student

Sunday, July 26th, 2009

Hi Julie,

In your FAQ section of The Writer’s Jungle you mention how kids can write about anything and do it well if they can find something about the topic that hooks their fascination. I’m wondering what this looks like in real life.

Can you tell me how the following 5th & 6th grade students would attack the following assignment?
Write a Report on Christopher Columbus

Student A: This girl is a natural talker, loves to write in great detail, is very fashion conscious, and is able to find a number of ways to earn money.

Student B: A very analytical boy — math is his strong suit. He doesn’t enjoy flowerly detail and wants to get to the facts and get the job done.

Student C: This child is very art oriented and enjoys science and animals.

Student D: This child does great at writing fictional stories — very into dramatic writing not factual.

Maybe these scenarios are not enough to go on and if not — what kinds of questions can I ask the kids to find out what their natural bent is? How can I help them when they are given a generic assignment to find their own groove and write from within?

Thanks!
Kellie

Great question Kellie!

Let’s go one student at a time. Remember: these are ideas that may or may not work with individual kids. The idea is to shift your focus to the student’s natural bent and inclinations, away from strictures of an assignment. One thing to know: the most successful writers do this all the time instinctively. They hardly know they are doing it! So it’s not cheating. It’s smart writing.

Student A: This girl is a natural talker, loves to write in great detail, is very fashion conscious, and is able to find a number of ways to earn money.

Perhaps her interest in Columbus will be to choose an aspect of his character (personality? his attempts to get funding for his trip? his fashion sense?) to describe in detail. Let her hone in on one aspect (rather than generalizing) and see if she can get intimately acquainted with the most interesting part of who Columbus is. Start there. You can always add less interesting detail (biographical information or the timeline of his trip, etc.) once she’s given her full attention to the part that interests her most.

Student B: A very analytical boy — math is his strong suit. He doesn’t enjoy flowerly detail and wants to get to the facts and get the job done.

This kind of kid does well with making a list to start. Let him itemize the factual details of the life of Columbus. Choose the most interesting, surprising fact to open the report. Let him organize the facts into categories and use sub-heads for each section. He can freewrite and then revise each group of facts one at a time. Then organize chronologically using sub-headings to provide natural structure and transitions.

Student C: This child is very art oriented and enjoys science and animals.

Columbus may be a hard sell for this kid. Perhaps write on something else. (smile) Also, could do pictorial narration with artwork and captions.

Student D: This child does great at writing fictional stories — very into dramatic writing not factual.

Put the report into a narrative style, telling it from Columbus’s perspective or alternatively this student could write from the perspective of a crew member on the ship. In The Writer’s Jungle, Gabrielle Linnell wrote a piece called “An Adventuring Maid.” She did research to have all her historical details accurately represented in her work, but she wrote her piece as a fictional narrative. This kind of work is a wonderful way to make writing spring to life. I like to use Jean Fritz’s books as an example of how history can be written in an engaging manner all while conveying the important historical information.

I hope that helps you get an idea of what you might be able to accomplish if you widen your expectations and apply some creativity. As a side note. I graduated with my Master’s in theology in 2007. I had finals that included writing my own contemporary epistle, writing a translation, putting my theological thoughts into poetry, freewriting and personal experience as well as your standard academic formats. I thought I’d throw that out because there is a perception that all the writing anyone will ever do in the future is essays and research papers. Not necessarily. (smile)

The most beautiful example of Keen Oberservation

Monday, June 8th, 2009

Email:

Julie, I did the Keen Observation exercise with the kids on Monday. What a lovely time. I really can’t fully express (in the limited time available) how much I appreciate your program and your blog. There is a sense of yoga about it - being in the moment, being where you are in terms of skill, a deepening of experience with reality. Thank you.

I thought you might like my description of what we did. I let Mary Poppins and Ms Frizzle out to play.

Immersion Learning

What a truly awesome visual to go along with the powerful and delightful comments her kids made. That’s what I call keen observation for sure!

Lists

Thursday, April 2nd, 2009

Writing wears kids out, have you noticed? They may get that burst of linguistic energy working for them (when the inspiration strikes, they’re hard to stop!), but when they’re done, they’re done. Sometimes after a successful writing project, all anyone wants to do is lie about doing nothing.

While taking some time off, or while your kids aren’t quite proficient enough to write lengthy passages of prose, you might try writing lists. Lists can be an incredibly therapeutic way to interact with language. For one thing, there is no shortage of topics for lists. Let me give you a quick list (ha!) of what you can list:
(more…)

Who are you, Who, Who, Who, Who?

Wednesday, January 28th, 2009

If you write a lot, I know you get tired of hearing your own voice. I call my tired writing voice, my “whiny voice.” I hate when I get into that mode. It’s when I drone on and think I’m being profound when really all I’m doing is complaining about some mental puzzle I’m not actually solving. Most of the time, I write from my comfortable, worn in, blue jean voice. I write the way I write after years of writing. It feels natural and I don’t think about deviating.

But that voice doesn’t encompass all of who I am. I’m a mother and a business owner, yes. But I’m also a southern Californian who prefers to nap on the beach than in a bed. I like flip flops and sun on my bare shoulders. Yet, I’m also a tireless snow shoveler in Ohio. And someone who lived in foreign countries. I’m smart about ideas and stupid about practicalities. I’m wise about relationships and hopelessly sentimental about love. I get angry at injustice and tearful in movies.

I can write from all these places… if I remember to. Sometimes, just to change things up, it helps to adopt an “opposite voice.’ Instead of being reasonable and clear, be unreasonable and chaotic - say things the way they feel rather than the way they should be thought. If you’re a mother, perhaps it’s time to write as the daughter that you also are. Perhaps you can write from the place of child, instead of adult. Maybe some of us have lost touch with out sexy selves and writing from that space (the space of being in touch with our sensuality) will create new force in our writing.

Make a list. Who are you? Sane, whimsical, artist, snooty, employee, tightwad, tyrant, prisoner… Write from one of those identities and see where it leads. You can also write from an inanimate space: tornado, ocean wave, breeze, fierce wind, tree, bulbs in spring. Or pair two things: good girl - bad girl, angry - peaceful. Give a freewriting space to each one consecutively.

Once you’ve tried these on your own, help your kids to make a list of identities and see if they can write from new ones. Kids are much more comfortable shedding their traditional voices. They may eagerly choose to write as a favorite character in a book (Luke Skywalker) or they may use the voice of a gaming role online or they may create a voice for themselves (southern belle). Imaginary voices can be just as productive as authentic ones, so don’t put any limits on this exercise.

Shake off the habitual and play with something new. Post your writing in the comments. We’d love to read it.

When freewriting isn’t fun

Tuesday, December 9th, 2008

Not everyone likes freewriting. Some kids feel pressured by the timer, they worry about making mistakes (even after being told that they can make all the mistakes they want!), they resist the idea of writing about any random topic. Others just don’t like writing and freewriting feels like one more writing task no matter how many times they are told that this is an easier form of writing than the one they are used to.

Our oldest son (Noah, 21) told me that while he can write (and I’d say he writes well!), and while he certainly does know how to freewrite (and has done plenty of it), writing has never gotten easier for him. When he faces a blank page, he still fights the sensation of momentary panic and inertia.

And yet, I still firmly believe that every person can learn to write so that they are competent as adult writers. Even if they have that initial surge of panic when staring at a blank page, they will have cultivated some strategies for tackling the topic anyway! That’s what I’d like to talk about in this blog entry. Tomorrow, we’ll look at revision and how to make some sense of the chaos freewriting unleashes.

Freewriting gives writers a chance to get the swirl of words inside, out of their heads and bodies and onto a page or computer screen. Those words, once out and visible, can be honed, revised, enhanced and massaged into better prose or exposition. Freewriting helps to untangle the jumble or to at least put the writer in touch with what there is to say (or not) about a topic.

Part of the charm of freewriting (its lack of structure, its freedom, its open-endedness) sometimes causes a surprising counter-reaction in some kids. These young writers feel too much freedom! They want guidelines, structure, clarity about the expectations. They want to avoid making a mess that will be required to go through a revision process later. So let’s look at how to help them over the hump with some novel ways to make freewriting less “free” while retaining the essential messiness that is most beneficial in terms of real writing later.

Topics
Some kids really do need a subject to get them going. Asking them to simply “write” whatever is on their mind is too big. Their minds are busy places and they can’t narrow the swirl of ideas down into a manageable size for writing. To help these kids, we suggest the “freewrite list.” One week, instead of freewriting, ask your kids to write a list of all the things they love and know lots about. This list can be written straight down the page and can include things like: soccer, horses, Harry Potter, how to make cookies, quilting, pet ferrets, hacky sacks, Starcraft, decorating Christmas trees, blow drying hair, WWII tanks, Star Wars, American Girl doll outfits and planting bulbs. There are no right topics. Only those your kids love and know well. Once you have a list, each week let your child pick a topic from the list to write about.

Too much time
Some kids do better with a few more boundaries around the freewrite. Rather than a 7-10 minute period, limit the time frame to 2-3 minutes. Ask your child to write as quickly as possible, without stopping, putting anything that comes to mind onto the paper. Keep the sessions short and don’t worry at all about content. The idea here is to just keep the pencil moving for 2-3 minutes.

Perfectionism
Some kids are haunted by a need to know how to spell, how to punctuate, when to capitalize and so on. To be told that errors are permissible doesn’t ease the anxiety. Usually there are two reasons for this. The first is that the child is just one of those neat-nik kids who prefers order and hates a mess. For that child, simply tell him that if he doesn’t know how to spell a word, to call it out to you and you will instantly recite the proper spelling so he can continue without stopping. If this happens every third word, then you will need to let him know that he can make his mistakes but you promise to correct them with him as soon as he finishes.

The other kind of perfectionist is the one who knows that any mistake she makes will be required to be fixed by you. These kids are the ones who’ve figured out that if they don’t write perfectly the first time, they’ll have to revise and edit until you are satisfied with the product. First, reassure your child that this freewrite will not go through any revision. When it’s done, it’s done. Second, take a piece of scratch paper, crumple it up and then smooth it out again. Tell your child to freewrite on the crumpled page. Often, just seeing that the paper cannot possibly be used as a final copy will prevent the tendency to be overly careful with the freewrite.

Hurting hands
Some kids grip their pencils so tightly that when you add the pressure of a timer (and the instruction to write speedily), they cause themselves pain when they freewrite. No wonder they hate it! For these kids, you can try two options. For younger kids whose handwriting skills are still developing, offer to type their freewrites while they narrate orally to you. For older kids, let them freewrite on the computer from time to time until they learn to relax their hands.

Natural writing resistance
Some kids are naturally less verbal than others. They fight to find the words they need in their oral communication and find writing that much more of a challenge. Freewriting is an invitation to pain, for these kids! It’s like they have to openly admit that words don’t come easily to them. It’s not that they can’t speak, but they find themselves moving at a slower verbal pace than the chatty-Cathy’s around them. For kids like this, sometimes a timer feels like pressure rather than release. I suggest instead of timing these kids, ask them to write until they are exhausted. That may mean they write one sentence and that’s all they can muster. Encourage these kids especially to write about that frustration as it comes up. They can write things like:

    I love playing lacrosse with the junior high team but i hate it when I don’t get to play attack. I’m so mad that I have to write. This is hard. My hand is cramping. I want to play attack.

Like that. They need to be helped to really express what is in the way of the words. These kids tend not to give language to their frustration or their physical sensations. So you can draw them out with questions, etc.

For those kids who are truly struggling, we strongly recommend our One Thing: Freewriting class. It’s the sequel to our very popular One Thing: Copywork/Dictation class and taught by Rita Cevasco, our specialist in reading and language disorders.

In this class, kids will be helped to approach freewriting through a variety of novel tactics that will give you brand new ways to introduce the practice while accommodating the struggle. Please post specific questions in the comments below and I’ll try to tackle them for you today.

Shaking the dust off writer’s block

Thursday, August 7th, 2008

I spent some time surfing the web looking for ideas to help us knock open the internal world of words and found some good ideas! So if you and your kids want to kick off the fall with some new ideas (or if you are down under and feeling a little weary going into spring) try these! Here are five writing ideas. Don’t do them all in one day. Space them out over weeks.

  1. Write a collage made up of full-lines of selected source poems. (Choose the poems, grab lines from them, type them up, print them, cut them into strips and then reassemble in a new order to make a new poem! You can certainly add a line of your own if it helps.)
  2. Write a poem composed entirely of questions.
  3. Make notes on what happens or occurs to you for a limited amount of time, then make something of it in writing.(You pick a predetermined amount of time - like an hour or a morning.)
  4. Write on a piece of paper where something is already printed or written. (You might try writing in the margins of a book, or the margins around a photo-copy of a poem, or on the edges of a flyer…)
  5. Type out a Shakespeare sonnet or other poem (or song lyric!) you would like to learn about/imitate double-spaced on a page. Rewrite it in between the lines.

How to break old stuff!

Thursday, May 22nd, 2008

Yesterday, Liam and I sat together in the living room while I worked and he read Living Bird (a magazine put out by the Cornell Lab of Ornithology). He started giggling. Then he chuckled. Next thing you know, his body shook while he laughed out loud. Now it’s nearly impossible to get any work done when someone is enjoying a good joke in a piece of writing that is only feet from where you sit! So I had to know the source of such good humor.

Pete Dunne: How to Destroy Your Binoculars

Nobody could have anticipated this problem. Only a few decades ago birders took pains to keep their binoculars in good working order so they would provide years of service.

No longer. Now, with new-and-improved, super-whiz-bang binoculars appearing every other week, birders who already own quality instruments that don’t have the latest technological innovations—coatings that deflect images of European Starlings and House Sparrows; squishy gel-packed bodies as squeezable as toilet paper—are crying for an excuse to ditch their built-to-last-a-lifetime glass so they have an excuse to buy the latest and greatest.

But they can’t. Their current binoculars work just fine. Replacing them will mean hours of negotiation with their conscience, their spouse, or both.

So here, for the benefit of birders suffering new binocular envy, are several proven ways to destroy the binoculars you are using now. I have personally tried every one and will attest to their success.

With that introduction, Dunne then reels off six detailed methods for deep-sixing your aging binoculars. And they are hilarious! Here are two:

1. The ol’ bioncular left on the roof of your car trick. Although this used to be the binocular abuser’s default setting (the equivalent of the dog eating your homework), unfortunately this is not the fail-safe technique it used to be. There are instruments out there now that can take a standard tumble onto tarmac and survive. In order to achieve maximum damage levels as defined by the new, enhanced, bino-destructo scale, you must place your instrument with barrels parallel to the car roof (i.e. not standing upright) so that you can achieve freeway speeds before the instrument goes airborne. If possible, when backing up to retrieve the wreckage, (for insurance purposes) run the instrument over with tires of your car…

(snip)

5. While scanning for hawks, consume a New-York-deli-sized roast beef sandwich (making sure that half the mayo lands on the glass), then introduce the binoculars to a six-month old Labrador retriever with the counsel, “Now be a good dog, Armageddon, and leave those binoculars alone.” Leave the room. Make sure the instruments are within reach and remove all doggy toys from the vicinity.

And if all else fails:

6. Loan them to me. I guarantee you’ll need new instruments by the time you get them back.

We laughed so much reading about the destructive methods of cleaning the lenses using the equivalent of a brillo pad and packing the binocs in a backpack, on a hot day, with a loosened jar of honey to ooze and lubricate the working parts of the instrument.

It occurred to me that this format would make an ideal writing exercise. How many of us have kids who want the latest X Box or Wii or the best saddle for a horse or the newest bicycle or the most recent iPod (the iTouch!) even while the stuff they have works perfectly and used to entertain them for hours? I see that show of hands. Everyone!

So turn them loose. Let them write about how to destroy that old stuff in order to justify the expense of the new stuff.

Hmm. Am I’m unleashing criminal activity against otherwise still-in-good-condition stuff? For the record: I said write about it. Don’t actually do it. :)