Archive for the ‘BW products’ Category

How writing is like sewing

Saturday, June 15th, 2013

Caitrin sews a quilt

A fundamental confusion exists around how to teach writing. I’ve spent two decades looking for just the right metaphor to explain how a parent facilitates writing growth. Then the other day, on the phone, I stumbled upon a perfect metaphor.

Let’s look at learning to sew using a sewing machine.

A sewing machine makes it possible to create all kinds of sewing products—anything from hemming a pair of pants, to constructing a crazy quilt, to producing an evening gown. The machine doesn’t do it for you. You have to know how to use the machine, and you have to develop skills: how to sew straight seams or how to drop in a sleeve or how to gather a drape. You need to learn how to create casings, and how to use the zig zag, and what the tension dial does.

When learning the skills needed for sewing, students start with scrap fabric. They don’t pick a dress pattern and then sit down to the machine. Usually they have to learn how to thread the needle and bobbin, they have to sew lots of straight lines and learn how to turn corners and how to backstitch the end of a seam so that it doesn’t unravel.

No one can learn all she needs to know in one sitting or even one year of sewing. There are levels of skill that are gained over time, as comfort with the machinery, and dexterity, and familiarity with the properties of sewing are internalized and mastered.

But it is possible at each stage of development to introduce a little project. At first, these might be things like bean bags (squares) or a string dress (no pattern, but the dress uses casings). As the student gets comfortable, making an a-line dress for a doll from a pattern becomes possible and a thrill! Producing a doll quilt is the first step toward making one for a bed.

Eventually, the seamstress learns tricks to make the process easier and faster. The student of sewing can size up a pattern to know if it’s too difficult or too easy, and can make changes to make the pattern work.

Sewing is not about the dress patterns or quilts. Sewing is a set of skills that can be applied to patterns.

Let’s drive home the analogy to writing.

In Brave Writer, The Writer’s Jungle is the sewing machine. In that manual are all kinds of functions the student learns about the writing process. These are discovered using scrap language—whatever is in the mouth of the child at the time. The writing is interest-driven and exploratory. The child is gaining facility with the practice of accessing language from within and getting it to the page in a variety of ways (all different styles of “language stitching”). Each week, the parent reads a chapter and then tries the practice with the child. This is how you would teach sewing – try one stitch at a time, try button-holing on scrap fabric, try dropping in a sleeve with a doll dress.

The Arrow or Boomerang (our language arts products that teach the mechanics of writing) would be similar to needle and thread. You learn how to use the machinery of writing in these products. Students learn how to handwrite, punctuate, spell, and manage the mechanical demands of writing. In sewing, the student has to learn to use the machine—how to thread the bobbin, how to control the speed of the pedal, how to backstitch, how to zig zag, how to set up the button holer. These skills enable sewing.

The functional skills needed to run the machinery of writing are spelling, grammar, punctuation, handwriting and/or typing.

The writing assignments (like we offer in Jot it Down! and Partnership Writing, or the ones found in our online classes) are the dress patterns of writing. Now that your student understands how the machine works, now that the student can manage the demands of the machine, it’s time to make a dress!

In writing, once the student knows how to find language within, knows how to get that language to the page and how to handwrite, expand, revise, and edit it, he or she is ready to “make something” – to write a report or letter, to write a poem or a dialog, to write a story or ad copy, to write an essay.

The point is—don’t hand your brand-new-to-writing student the equivalent of an evening gown dress pattern and expect it to turn out right on the first try, just because there are “clear instructions.” Writing is a set of skills practiced independently of assignments, leading up to developmentally appropriate writing projects that reinforce and expand evolving skills.

Cross-posted on facebook.

Partnership Writing is here!

Monday, May 27th, 2013

PartnershipWriting

You wanted:

Developmentally appropriate writing projects for your middlers.

Step-by-step instructions with models.

A weekly and monthly plan that puts it all together.

You got it!

Partnership Writing
The Year-Long Language Arts Plan
and 10 Monthly Writing Projects
(9-10 year olds)

ORDER IT NOW for $29.95!

 

Partnership Writing is the second in our series of products that gives you developmentally appropriate writing projects for your kids in the partnership writing stage of development. Jot It Down! is the first.

Have you wondered why your writing assignments stall? Do you wonder why your kids give you a blank stare after you ask them to fill a blank page? Do you have a tough time creating writing assignments that are both creative (interesting) and academically sound (preparatory for essay writing)?

And just how do you put together a program that includes copywork and dictation, as well as the language rich environment you hope to foster in your home, while still teaching original writing?

Partnership Writing tackles it all!

It can work alone (as a tool you use to boost the power of your writing efforts with your kids) and it can work in tandem with other Brave Writer products: The Writer’s Jungle (the manual that teaches YOU how to teach writing), and The Arrow (the tool that provides you with great literature to read, grammar, spelling and punctuation help, and copywork/dictation passages).

Plus we have special bundles on the website for Partnership Writing + The Writer’s Jungle and/or The Arrow.

To learn more about the Partnership Writing stage of development (usually 9-10 year olds, but also good for younger advanced writers and older kids who struggle), you can check out our Getting Started with Brave Writer page. You can also listen to a podcast by me where I explain what Partnership Writing is.

This is the perfect product for you if you need help thinking of writing projects and want to know how to plan them for a month at a time.

Partnership Writing gives you the
practical,
step-by-step implementation of
what to write,
not just how to write.

Order it now for a limited time for $29.95 (regular $39.95).

DOWNLOAD A FREE SAMPLE!

Happy Birthday, Shakespeare!

Tuesday, April 23rd, 2013

Shakespeare-Party-Chandos portrait-edited by Baraboo Public Library

449 years ago, The Bard of All Bards was born!

To celebrate William Shakespeare’s birthday, Brave Writer is offering the Boomerang based on Gary Blackwood’s book, Shakespeare’s Scribe:

Half price for one day only: $4.95! OFFER HAS EXPIRED

In Blackwood’s novel, we follow Widge, an actor in Shakespeare’s troupe. After the Globe Theatre is shut down due to the Black Plague, the company sets off to tour England, where Widge’s unique shorthand makes him a valuable member…until someone threatens to reveal a past secret.

The book is a sequel to The Shakespeare Stealer, but stands well on its own.

Oh, also! Brave Writer instructor, Susanne Barrett, posted ways to celebrate Shakespeare’s birthday in the Shakespeare Family Workshop she’s leading right now.

Here are her ideas:

• Have a Talk Like Shakespeare Day (or even just an hour, if that’s all you can handle).

• Perhaps gather around the table with scones and jam and some Earl Grey tea and read some of Shakespeare’s sonnets aloud (you can find Shakespeare sonnet apps for your smart phone or check out this site).

• Read some of Shakespeare’s famous monologues aloud dramatically, perhaps even in costume. Here’s a list of some of the best single-person speeches, one list for men and one for women.  Try performing them for family members and/or friends or at a co-op!

• Perform a Shakespeare scene as a puppet show or act out a scene in costume; either memorize parts or make copies of the scene for all the actors. Here are some scenes and scripts for kids from the Folger Shakespeare Library in Washington, D.C.

• Watch your favorite Shakespeare play on film (mine is Kenneth Branagh’s Much Ado About Nothing). Check your local library or Netflix for some excellent titles, and the International Movie DataBase includes some helpful parents guides with advisory content for you along with ratings and information on most film versions.

• For older kids, check out Michael Woods’ in-depth documentary In Search of Shakespeare which first aired on PBS in 2004. Both the DVD and the companion book should be readily available through most public libraries.

• Better yet, see a live Shakespeare play as soon as possible. Check out college/university performances near you as they’re usually much less expensive than professional productions.

So, celebrate one of the greatest playwrights of all time and take advantage of this special Boomerang offer!

The Boomerang is a monthly digital downloadable product that features copywork and dictation passages from a specific read aloud novel. It is the indispensable tool for Brave Writer parents who want to teach language arts in a natural, literature-bathed context.

Image is from the Baraboo Public Library

Spring Class Registration now open!

Monday, March 4th, 2013

Good registration day #bravewriter #homeschool #writing Sign up here!

We’ve already seen the first session of Kidswrite Basic nearly fill on the first day! (Some spaces still available but hurry—they won’t last.)

Also, Kidswrite Intermediate only has one session and is more than halfway full.

Spring Class Schedule here.

5 tips to get you back in gear

Wednesday, January 2nd, 2013

DSCN3023.JPG Happy New Year, Brave Writer families!

Too bad we can’t settle into a “long winter’s nap” right about now. January insists that you be productive, so let’s look at 5 ways to do it that I hope are relatively painfree.

If you live down under: You just finished your big holiday and it’s summer vacation. Rock it! Have a great time. We in the north envy you, but we know it’s well deserved.

  1. Coziness first
    It’s winter in the northern hemisphere. Everyone is nicer to each other under cuddly blankets or with fires roaring or with tea and candles. Don’t “hit the workbooks” so much as invite everyone back to the routine with a little attention to snuggling and pleasing natural light. Remember that winter can create a sinking feeling—moodiness, depression, pessimism, loneliness—all due to loss of sunlight. So bring some inside and warm up the space. Keeping tables and counters clear seems to matter more in winter too.

  2. Read alouds second
    Nothing says “gentle return to education” like a new novel to read together. Pick something you loved as a child (not a new novel). This is “comfort food” time. Find the joy in the novels of your youth (pair it with The Arrow, if we have an issue created for it). This month’s issue (Jan 2013) is for Little Town on the Prairie (my favorite children’s book series of all time). You might also love reading Wind in the Willows to help foster the coziness you need (how can you resist Mole’s home?). Check out the Already Published Issues of The Arrow for more ideas.

    For older kids, you might simply designate a time that everyone reads to themselves at the same time. Shared reading time, with a fire, is amazingly intimate. It creates a dynamic of valuing literature and private reading experience, while also giving the home a moment of silence (akin to when a newborn baby is sleeping and a hush comes over the space). The Boomerang Already Published Issues is a great place to find titles to read.

  3. Make one plan
    Plan ahead and execute the One Thing you’ve been meaning to do all fall but never got to it. Check out our blog entry on how to focus on one thing at a time.
  4. Go on a field trip to…
    A nature center, a ski lodge, the library, an art museum, the movie theater, the zoo, a restaurant from another culture, your best friend’s house, McDonald’s playland (yes, sometimes that’s even a good idea in January), a shopping trip to China Town, or Little Saigon, or the Italian Quarter. Pick one. Plan it. Do it. Get OUT of the house.
  5. Add one novelty item to your homeschool
    This could be a new set of watercolors with an easel. You might purchase a whole set of dinosaur cookie cutters to go with your dinosaur unit and you will make playdoh and do cut outs. Maybe you add a bird feeder to the nearby tree and spend some time each day noting which birds show up. Get a new strategy board game or several decks of cards and teach everyone Solitaire. Even a new sled (for outside) or a mini trampoline (for the garage or basement) can inject some lively activity when you start to feel trapped indoors.

The main thing to remember is that January is the middle of the year. You can actually plug along nicely in your traditional education work (math, science, grammar work, reading, writing) because the quieter, slower months are conducive to all of that. Just remember to not let cabin fever take over. In those moments, remind yourself of this list and pick ONE to do!

Mini Reports: We have two sessions still open for fall!

Monday, October 1st, 2012

By Christine Gable

Today’s blog is from one of our fabulous staff instructors: Christine Gable.
 
She’s the mastermind behind the Mini Reports class, where your kids learn to apply Brave Writer writing strategies to writing across the curriculum, or to their hobbies and interests. If you are looking for hand-holding and a tutorial feel for individual writing projects you want your kids to execute, Mini Reports is the way to go!
 
Sign up now as the first class session starts MONDAY, October 8!
 
 
There’s nothing like a new journal. All those fresh smooth pages, that crisp paper. All the possibilities, the latent hope that whispers quietly when it’s first cracked open. My daughter loves new journals—she has a shelf above her desk with quite a few not-yet-written-in. A most recent gift-of-a-journal had a cupcake on the cover. It inspired her right away:

“Mom, I’m going to create a cookbook!”

She began by titling it and adding her name as author (an important and vital first step!). She then proceeded to look through our recipe box for a few favorite recipes to get started. First: a chocolate cupcake recipe. She sat down at the kitchen island to begin transcribing. I suggested that she might want to add a personal blurb (called a head-note) under the title. I explained that the head-note was a personal memory, anecdote or story that made the recipe special to the author or recipe developer. Sometimes it provided an alternative preparation tip or idea too.

“I like to read those in cookbooks, Mom! I didn’t know they were called head-notes. I think cookbooks are fun to read—especially when I’m eating something good.” (A-ha, just like her mom.)

She proceeded to work busily, copying two complete recipes into her new cookbook, until her hand felt crampy: “Recipes are hard to write … my hand is tired, I’m going to work on this later.” So we tucked away the new cookbook and proceeded to finish getting dinner ready together—a perfect segue.

She did work on the cookbook another time or two, but it eventually fell by the wayside. Recently it happened to be excavated from amongst a pile of creative beginnings: American Girl crafts, scrapbooking bits, Sharpie markers, beads and ribbons.

What had begun with enthusiasm and a spur-of-the-moment plan (create an entire cookbook) had petered out, lost to the many other attractive possibilities that present themselves in the course of a teen’s day. It was a project that began with a lot of energy that didn’t seem to last very long (from my adult view-point).

But here’s the thing I try to remember: I did this all the time as a kid (and still do sometimes, as an adult). And that’s okay. In fact, it’s vital to becoming a good writer. To be able to experiment, to try out different approaches and projects and characters, to “wet one’s feet” or “whet one’s appetite” (even briefly at times) is invaluable learning experience. You see, sometimes it’s just this initial outpouring, this primary rush that needs to be experienced. It’s important to keep in mind that not all projects need to be completed.

However, as adults and homeschooling parents, it’s pretty common knowledge that we like completed projects (dare I say?—love them). In order to get on the same page as our kids when expecting completion, it really helps to let kids know that we’d like a project to be taken through all the stages to completion. It helps set the stage for success (rather than having kids feel like we’re twisting their arm when they’re really feeling DONE).

Having an agreed-upon goal at the beginning of a writing project is an important first step of working together successfully on writing. Another important part of the equation is setting appropriate expectations for the project. That’s why Julie recommends undertaking no more than one original writing project during a four-week period. It’s also important to consider the size of the project.

While my daughter’s initial goal of filling the entire journal with recipes and creating an entire cookbook was admirable, it was so big that she lost steam. Setting a more manageable goal (say four or five recipes for a mini-size cookbook) would have meant accomplishing a sizable task toward the goal each time one complete recipe was transcribed. And that means that there will, most likely, be energy left over for adding photos or illustrations, for exploring fonts, colors and borders, and for creating a personal introduction along with a front and back cover.

This is exactly what kids do when they work on a cookbook project in the mini reports class. Just the word “mini” makes a cookbook project feel more manageable, doesn’t it? When we encourage kids to compete projects of attainable size, they end with a feeling of confidence and success. Best of all, there’s a completed project. Can’t ask for a better combination than that, eh?

Hannah Bates’ Cookbook is a cookbook project recently completed in the Mini Reports class. (Open the cookbook by clicking on the link.) I love helping kids work on projects like this! (There are 13 other formats in the Mini Reports class that kids can choose from also).

See you on April 30!

Twitter Party for Brave Writer TODAY!

Friday, September 14th, 2012

The Zipline, Brave Writer's e-letter.

_

 
 
 

Free Kindle!

Amazon Gift Cards!

Join me on Twitter today!

 

Today, September 14, 2012, I’ll be a part of a Twitter Party hosted by Girlfriendology.

We’ll be discussing home business and home schooling under the hashtag #GFWeekend. Between 3:00 and 4:00 pm Eastern.

http://twitter.com/BraveWriter

Read more details here!

 ——————————————————–

If you were planning to take an online class this fall, SIGN UP SOON!

Classes are filling up easily this year, and I hate having to tell excited parents that the class they want is closed.

Advanced Composition 1
 
Instructor: Julie Bogart

  • October 15 – November 9, 2012

Foundations in WritingInstructor: Rita Cesvasco, MA:

  • October 1 – November 9, 2012

Just So StoriesInstructor: Jeannette Frantz

  • October 15 – November 9, 2012

Kidswrite BasicInstructors: Jeannette Frantz

  • November 5 – December 14, 2012

Kidswrite IntermediateInstructors:  Jeannette Frantz

  • October 8 – November 16, 2012

MLA Research EssayInstructor: Susanne Barrett

  • October 8 – November 16, 2012

Mini-ReportsInstructor: Christine Gable:

  • October 8 to November 2, 2012
  • November 5 – 30, 2012

Nature JournalingInstructor: Christine Gable:

  • October 8 to November 2, 2012

—————————————————————————


Call me or text me (513) 307-1405 or email me. I want to help you pick the right classes! 
See you online!

  P.S. Twitter party for Brave Writer at 3:00 pm Eastern TODAY!! #GFWeekend


Brave Writer Website
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Brave Writer
LLC
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Mini Reports: We even do cookbooks!

Wednesday, April 25th, 2012

By Christine Gable

Today’s blog is from one of our fabulous staff instructors: Christine Gable.
 
She’s the mastermind behind the Mini Reports class, where your kids learn to apply Brave Writer writing strategies to writing across the curriculum, or to their hobbies and interests. If you are looking for hand-holding and a tutorial feel for individual writing projects you want your kids to execute, Mini Reports is the way to go!
 
Sign up now as class starts MONDAY!
 
 
There’s nothing like a new journal. All those fresh smooth pages, that crisp paper. All the possibilities, the latent hope that whispers quietly when it’s first cracked open. My daughter loves new journals—she has a shelf above her desk with quite a few not-yet-written-in. A most recent gift-of-a-journal had a cupcake on the cover. It inspired her right away:

“Mom, I’m going to create a cookbook!”

She began by titling it and adding her name as author (an important and vital first step!). She then proceeded to look through our recipe box for a few favorite recipes to get started. First: a chocolate cupcake recipe. She sat down at the kitchen island to begin transcribing. I suggested that she might want to add a personal blurb (called a head-note) under the title. I explained that the head-note was a personal memory, anecdote or story that made the recipe special to the author or recipe developer. Sometimes it provided an alternative preparation tip or idea too.

“I like to read those in cookbooks, Mom! I didn’t know they were called head-notes. I think cookbooks are fun to read—especially when I’m eating something good.” (A-ha, just like her mom.)

She proceeded to work busily, copying two complete recipes into her new cookbook, until her hand felt crampy: “Recipes are hard to write … my hand is tired, I’m going to work on this later.” So we tucked away the new cookbook and proceeded to finish getting dinner ready together—a perfect segue.

She did work on the cookbook another time or two, but it eventually fell by the wayside. Recently it happened to be excavated from amongst a pile of creative beginnings: American Girl crafts, scrapbooking bits, Sharpie markers, beads and ribbons.

What had begun with enthusiasm and a spur-of-the-moment plan (create an entire cookbook) had petered out, lost to the many other attractive possibilities that present themselves in the course of a teen’s day. It was a project that began with a lot of energy that didn’t seem to last very long (from my adult view-point).

But here’s the thing I try to remember: I did this all the time as a kid (and still do sometimes, as an adult). And that’s okay. In fact, it’s vital to becoming a good writer. To be able to experiment, to try out different approaches and projects and characters, to “wet one’s feet” or “whet one’s appetite” (even briefly at times) is invaluable learning experience. You see, sometimes it’s just this initial outpouring, this primary rush that needs to be experienced. It’s important to keep in mind that not all projects need to be completed.

However, as adults and homeschooling parents, it’s pretty common knowledge that we like completed projects (dare I say?—love them). In order to get on the same page as our kids when expecting completion, it really helps to let kids know that we’d like a project to be taken through all the stages to completion. It helps set the stage for success (rather than having kids feel like we’re twisting their arm when they’re really feeling DONE).

Having an agreed-upon goal at the beginning of a writing project is an important first step of working together successfully on writing. Another important part of the equation is setting appropriate expectations for the project. That’s why Julie recommends undertaking no more than one original writing project during a four-week period. It’s also important to consider the size of the project.

While my daughter’s initial goal of filling the entire journal with recipes and creating an entire cookbook was admirable, it was so big that she lost steam. Setting a more manageable goal (say four or five recipes for a mini-size cookbook) would have meant accomplishing a sizable task toward the goal each time one complete recipe was transcribed. And that means that there will, most likely, be energy left over for adding photos or illustrations, for exploring fonts, colors and borders, and for creating a personal introduction along with a front and back cover.

This is exactly what kids do when they work on a cookbook project in the mini reports class. Just the word “mini” makes a cookbook project feel more manageable, doesn’t it? When we encourage kids to compete projects of attainable size, they end with a feeling of confidence and success. Best of all, there’s a completed project. Can’t ask for a better combination than that, eh?

Hannah Bates’ Cookbook is a cookbook project recently completed in the Mini Reports class. (Open the cookbook by clicking on the link.) I love helping kids work on projects like this! (There are 13 other formats in the Mini Reports class that kids can choose from also).

See you on April 30!

Email: The difference between Brave Writer and other programs

Tuesday, April 17th, 2012

I got this email from Hayley, who lives in Australia. She brought up so many good points, I wanted to share my answers to her questions here for others who have similar concerns. We had been in dialog over the last few days so this is my final email to her.

Hi Hayley. Comments within.

On Mon, Apr 16, 2012 at 7:43 PM, Hayley Galic <ghgalic@bigpond.com> wrote:

Thanks for this Julie.  Will Bravewriter teach him the mechanics of writing, will he understand the formula.  Does Bravewriter teach predicates, topics, starts, middle, ends to a piece of writing?  What I mean by this is, there seems to be a strong emphasis (in all writing programs I have looked at) on learning the procedure of writing a successful piece of work.  Will Bravewriter teach this or teach me to teach it? 

Brave Writer will teach those things, eventually. Brave Writer is about a paradigm shift in how you understand the writing process. Those other programs are following the same tired ideas about writing instruction that have produced decades of flat, lacking-in-confidence, mediocre writers. I know because I talk to adults all the time and the vast majority feel nervous about writing, don’t think they’re good at it, and typically make comments like “I don’t know how to write” despite all the years of having formats pounded into them.

 

Professional writing instructions starts with a person – not a format. That’s why we are Brave Writer not Brave Writing. The focus of our instruction begins with the idea that people have interesting thoughts and that these deserve written expression to be shared with an interested audience. We work with helping kids access language from within, helping them to feel safe enough to take writing risks. We (you the parent, and our instructors) support them at each stage of development with corresponding help/assistance.

 

Over time, formats can be introduced and kids with a strong sense of writing voice will learn them easily.

 

We do teach mechanics of writing through copywork and dictation and have tools to do that so that while the child is learning how to create original writing without a lot of structural pressure, he/she is also learning how to transcribe accurately and also internalizing quality writing with literary style. These skills then flow into the child’s own writing as the two come together around ages 13-15.

Like I mentioned, I have looked at the website many times and I don’t fully understand how the ‘lifestyle’ works.  I would also want my son to be able to transition out of Bravewriter and into another program for example without having to start from the lowest level again, if we felt the need to.  I am having difficulty trying to articulate what I want at the moment (have a flu).  Am I making any sense. 

Yes, you make perfect sense. You should not need to transition to another program. Brave Writer has been able to meet the writing and language arts needs of thousands of families. On the other hand, if you are interested in using another program or joining a co-op, your child will begin at the level he or she is at when that day comes. But it won’t be about whether he or she can write a business letter or a haiku. It will be about command of language—how well can this child access the language within and give it life on a page?

I love that Bravewriter will capture my son’s imagination and ideas, but I would also like to know I am training him from this early age to write with a correct ‘procedure’.  

But that’s not effective. Think back to speech. Did you worry at ages 4-5 that he wasn’t speaking according to formats in oral language? Perfect grammar? Able to give an oral presentation or speech or deliver a business lecture? When a child learns to speak, we support and encourage all spoken words, even the ones that aren’t quite right. We intuitively know that we don’t expect perfect etiquette at 2-3 or before fluency kicks in. We don’t teach a child how to “answer the phone” before that child is capable of talking and interacting naturally in person.

 

Likewise, if you begin with formats and “procedure” in writing, you stunt the child’s ability to use his or her natural vocabulary, insight, gathered facts, quirky personality, and all that is available to the child to convey. Instead, the child dumbs down his or her vocabulary to suit the puzzle of the writing assignment and loses touch with what he or she wants to say. Perhaps, in some cases, the natural structure of the ideas is also over-written by the canned ideas of the particular curricula as well.

Like you say most other programs concentrate heavily on the formulaic component, however for me, I would like to concentrate on getting him to put words on paper and feeling confident to do so, but at the same time be gently teaching him the correct formula.

There is no one correct formula. There are lots of ways writing can be shaped but it’s harder to learn these if they are taught ahead of fluency in written self-expression.

I hear many good reviews about Bravewriter, but I also hear about parents purchasing the text, reading it, liking it, but then not really knowing how to put it into practice.  From what I understand, an issue is that it is too ‘unstructured’? 

The difficulty with Brave Writer is that it is not a schedule, but a process. That process can be applied to any writing a child does. I do give ideas in the appendix for what kinds of writing a child might do at each level. Honestly, you can google how to write a descriptive paragraph, if you are looking for specific guidance on structure. What is missing is the process. How do you coax out the rich insight and vocabulary of your child to get a quality descriptive paragraph, not just a formulaic response to a wooden question?

 

It takes time, and trust (courage) to put into practice and I offer to help throughout. Anyone who emails me gets a response (like this one!). So there’s no reason to get stuck, if you’re worried about that.

Sorry if I am rambling and this email is all over the place.  Thanks for listening.

You’re welcome. The last thing you might like knowing is that our next set of products do give specific writing projects to go with the developmental levels. These would be done at the pace of one per month and are meant to be a way to use the writing process with an intended goal at the end. The reason I have resisted writing them for nearly 13 years is that I worry that moms will not make the paradigm shift first—really grasping how important it is for kids to have full access to their original writing voices first.

 

Hope that helps! Feel free to share it with others who may have similar questions where ever it is you post. :)
—-
Please do share this information on your message boards, in your blogging communities. A paradigm shift takes time. Realizing that writing is not so different from learning to speak, from weaning a child from breastfeeding to food to table manners, from early dependency on you, the parent, to independent living as a young adult is the beginning. Then Brave Writer helps you get there with support to silence the ghost of public school past that sits on your left shoulder. :)

Mini Reports: Put the Fun in Non-Fiction!

Wednesday, November 30th, 2011

By Brave Writer Instructor, Christine Gable

It was one of those evenings when all I needed was a hot soak in the tub—with lots of bubbles. That was where I was headed when my daughter asked if she could type on my laptop. Sure thing! I can’t imagine ever saying no when a child is volunteering to put words on paper (well, cyber-paper).

As I soaked my tired bones, I could hear my daughter busily typing away at my desk. Every once in a while I would hear a chuckle. (Hmmm, could she actually be having a good time?) Half an hour later, relaxed and pleasantly warm in my fluffy robe, I shuffled past her on my way to the bed, to read.

“Don’t look, Mom! I’ll show it to you when I’m done—I have to finish the last section.”

It was getting late by that time so the final installment was put on hold until the next day. Fast forward two evenings and I had the privilege of holding in my hands the very first issue of “Loose Ends,” her mini mag.

There were bullet points, an advice column, and a listing of 10 ways to use a bandanna. With a table of contents and catchy subtitles, this was quite an entertaining read.

Hold on here. Was I actually holding a piece of writing that had been voluntarily produced? Without warnings and threats? Something that didn’t have to be done for school … or for a grade?

Be still my heart.

My daughter had tucked in some health tips and historical tidbits she had learned from the past week in school. She had “created an expert” and quoted an attention-grabbing article. She had chosen fonts and colors that gave it the finishing touch. And best of all: her voice and personality shone through in the subject and word choices.

This was a mini report! She had created an original piece of writing that was witty, had insight—and (mostly) correct punctuation!

She had tapped into her current academic base of knowledge and had put her own unique voice and twist on it. She had chosen a format that allowed for creativity—and most importantly, one that “spoke” to her. It was a choice that she made as an author.

This is one of the most exciting events that we can witness as our kids are maturing and their writing abilities expand. While it can seem as though writing projects fall to the bottom of the to-do list because they can be fraught with angst and indecision, I’ve found that using mini-report formats can be very beneficial. Your children can use everyday real-life experiences and their current knowledge-base in concrete writing forms that help them distill those ideas into words.

Just the word “mini” in and of itself is sublime. We think “mini skirts” and “mini Coopers” and “Minnie Mouse.” The word “mini” feels easy and naturally small. Link “mini” to “report” and it becomes manageable, chic, and not too big—for not only does this non-fiction 750-word format take the Brave Writer philosophy of writing into the world of formats, it helps retain the playfulness that is at the heart of all good writing.

Write a mini-report? Hey, I can do that!

Each of the formats that we use in the Mini Reports Brave Writer Online Class offers kids a way to tap into their experiences and knowledge. It offers them a chance to use academic sources, to interview real people, to take notes while watching a DVD or TV show. Mini reports offer kids a means of growth from freewriter to academic writer—the perfect transition tool.

There’s just one thing I have yet to figure out: could taking bubble baths while handing the laptop to our kids be an important part of nurturing the mini report writing process? (I’m betting that Julie would approve.)

Now that’s one writing tip that I know we moms wouldn’t mind implementing at all!

Sign ups for the Winter Class Slate start on Monday December 5, 2011.

PS — I’ve included pictures of several mini reports from recent classes. It’s such a joy to work with students and parents on these projects! (Check out the Winter Quarter Mini Reports Online Classes here.)

This first one is about make-up! You can download and open it here.

The following photos are of a Lap Book about the NFL!

NFL Mini Report opened up

NFL Mini Report