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A Brave Writer's Life in Brief

Thoughts from my home to yours

Archive for the ‘Brave Writer Philosophy’ Category

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How Brave Writer REALLY Works

How Brave Writer REALLY Works

I get emails often asking how Brave Writer works. I sometimes get a little agitated by the question because I can’t just point to an outline of assignments and say: “Do these. They work.” I know many mothers hope to hear something like that.

I’ve devoted dozens of pages on the website and this blog to helping parents catch a vision for how it works. And I’ve tried to make it clear that Brave Writer is not just a bunch of writing techniques, but rather:

  • a whole lifestyle
  • a philosophy

…which undergird any and all writing and reading you do as a family.

This came home to me in two ways this week.

My son Jacob just started full-time high school. Leading up to the fateful day, he shared off-handedly in the car that he was looking forward to going to school because “we hadn’t done anything for three years” at home.

Excuse me? After I picked up my slain ego off the floor of the van, I reminded him of a few things he could “count” as school… He cares about me, so he listened sympathetically but perhaps unconvinced.

He returned from a long day “in the building” on that first day of classes exhausted. We peppered him with questions anyway.

He told us that in his English class, every book (save one) and most of the short stories the teacher had slated for the year, he’d already read. In fact, he was a bit miffed that they had assigned Lord of the Flies and he had not read it yet. He said, “Dad kept telling me to read that book and I haven’t yet. I’m so bugged at myself.” I reminded him he could read it over Christmas break, and he cheered up.

When the teacher asked the students who had seen a Shakespeare play, he raised his hand along with a few other students. Some had seen Romeo and Juliet. Jacob listed the plays he’s seen (about 20) and when he got to A Winter’s Tale and The Merry Wives of Windsor, the teacher shut him down chuckling saying that when they read Julius Caesar later that fall, they’d consult Jacob as the resident Shakespearean expert.

Then she assigned a freewrite on the first day of class and his comment to us was: “I used three huge vocabulary words in my freewrite just to play around. It was fun.”

In his geometry class, he got 100% on the algebra review quiz. In Spanish, he aced the first quiz as well. In science, he had already worked at home with a variety of measurement systems they introduced. In band, he’s playing saxophone as well as the rest of the section.

At the end of his recounting of the day, I chuckled:

“Jake, you were homeschooled. Get it now?”

He got this incredulous look on his face as the light dawned. “You mean, all those plays? All the freewriting? The books and stories I read? You mean that counts as homeschool? I did those because I like them, not for school.” “Yeah, I know.”

Somehow through his relationship with public school kids, he got to thinking that our lifestyle couldn’t “count” as school. He had not realized that our style of education was an education, and yet now, he discovered how prepared he is (not only prepared, but in many cases ahead). Yeah, satisfying for that recovering ego, I tell ya.

The second example of how the lifestyle works was posted on our forums about the steady growth of a dysgraphic/dyslexic son. Rachel’s son made loads of progress with his learning issues through the Brave Writer lifestyle as well as piano lessons. Her post is written to help other mothers wondering how to help their similar children. She writes:

One tip I would have about another dysgraphic child is to treat writing (and education) like most of us treat other developmental milestones. Julie so gets this!! I don’t believe that piano instruction is “the answer” for every child with dysgraphia by a long shot. It has worked for us because my son had an interest in music so he was plugged in and wanting to learn. That WILL (as Charlotte Mason called it) or desire to learn factor is *huge*!! Maybe your son is motivated by music too? That is what makes all the difference, I’m sure.

We started Brave Writer in the Jot It Down phase with him. 14. Yup. Jot It Down. That’s where he was when I looked at chapter 14 in The Writer’s Jungle [now Growing Brave Writers]. To my friends who have purchased The Writer’s Jungle I tell them to read that chapter first.

We more or less had to build up his idea of what writing is all about through Freewrites. He needed to want to write before we could go onto each of the the next steps. Next we incorporated Tuesday Teatimes. As the year went on we added a Boomerang subscription and copywork. Then dictation. That started one word at a time at first. I can’t believe it that I can now read whole sentences through, then once or twice more with natural phrasing and he gets it. We do pull our spelling words out of this and we do the grammar lessons that crop up from it too. Finally we’ve been doing the process pieces (these are freewrites taken through the revision phases). Three in the spring of last year and he’s working his way through a book review this month. (His choice…and not that easy for him to do!)

He types his answers. (We use a Dana by Alphasmart.) There is just no way for him to keep up with handwriting. He only prints and it’s nearly illegible still. That probably won’t change for him. If he someday wants to work on that I will support him in it. He’s just not ready for that. The school used to say that if we wanted good handwriting we could get it and nothing but it. It would take up all of his time and energy to do that one thing. So typing is what they were teaching him and it has been the right direction for us to follow.

If I can bore you further!! Here is how our Teatime went yesterday:

We had Teatime outside with iced tea, lemonade and animal crackers in the shapes of insects. I read from our “Nature Watch” book about what’s coming up in September all around us. The 13yo read “The Walrus and the Carpenter” from our poetry anthology. Our youngest shared poems from his latest issue of Ladybug magazine. Then this oldest son pulls out this poem that he wrote that morning to surprise us:


When a bright day meets a quiet night,
all of the animals on earth take flight.
To and from their nests they go,
in a hectic yet silent twilight show.
The bats take off and the birds touch down,
always around never touching the ground.

In a last yawn before bed
the sun spread
it’s colors wide,
and the moon will no longer hide.
One by one the stars do arrive,
to dance all night long was the goal to which they strive.


He did this poem without editing in one sitting. He says that he still wants to work on it. I can’t believe it. He actually *wants* to revise!

This is the Brave Writer Lifestyle for a child who struggles. Jacob’s life is an example for a kid who thrives and excels. (I have both kinds of kids in my five. In fact, I have one right now living the very same kind of BWL described above.)

Brave Writer is more than a book or a manual or a course.

It’s an approach to learning that creates momentum for your child through providing language related experiences one at a time over time, building on successes, taking advantage of interests and passions in the process. Writing is a part of that.

Writing is the written version of the mind life of your child.

You get to help him or her discover what is worth putting on that paper, and then how to manage it:

  • revise it
  • expand it
  • clean it up
  • shape it

Reading, viewing plays, seeing movies, drinking tea and reading poetry, having long conversations over dinner and in the car really are your homeschool now. They really do teach your children what they need to know.

Then when they show readiness, they can take that high school essay class and it won’t be intimidating.

It’ll feel just right.


Party School!

Posted in Brave Writer Philosophy, Email | 5 Comments »

Reasons #1672, 1673, 1674, 1675, and 1676

Overheard this summer…

Johannah (17): JK Rowling really is a master storyteller, but she can’t put words together like Charlotte Bronte. I’m obsessed with Jane Eyre suddenly. Every sentence is a masterpiece.

Noah (20): So you won’t believe what I bought in California. Books. I have a whole suitcase of them: Aristophanes’ plays, a set of three E.M. Forster books (A Room with a View is so well-written – I just flip to any page and I can’t stop laughing), James Joyce and this book called Hopscotch (it starts in chapter 73 and then you have to follow the directions to which chapter comes next… very postmodern). And that’s not all of them. I love used book stores.

Caitrin (10): Book two of Harry Potter is much more interesting to read after book seven. It’s amazing what muggle cast (radio show for HP fans) missed that is right there, plain as day, that gives away the whole story! …Well, we all missed it, I guess.

Liam (13): I can’t read books that aren’t good. Jack London is a good writer. There aren’t very many writers I think are very good. Well, Avi is good, too.

Jacob (15): When I get that tired from reading, my eyes glaze over and I have to reread the sentence, like, fifteen times and I still have no idea what it says. But staying up all night? It was worth it. A couple of Cokes and changing positions, and I kept going. It took me only twelve hours to finish book seven. It was the happiest and saddest twelve hours of my life.

I realized the other day… it’s happened. They’ve caught the bug. Our kids are telling me what to read. They’re the ones evaluating which books have good writing and why. Heck, they’re reading books I haven’t even read and didn’t want to… And they’re doing it during the summer, spending their own money and free time on them.

Yep; more reasons I love homeschooling.

Posted in Brave Writer Philosophy, Family Notes, General, Living Literature | 4 Comments »

Brave Writers, Brave Mothers


CHEO
Originally uploaded by juliecinci

When I attended the state homeschool convention seven years ago, I spoke as the owner of “The Writing Compass.” I didn’t like the name. I’d spent months scribbling alternatives, none of which worked for me. The idea of a compass sort of went with jungle, as in, The Writer’s Jungle, but it felt stilted and out of focus.

Grudgingly, I moved forward anyway. That first afternoon, I stood in a room full of mothers, giving my workshop called “Rescuing Reluctant Writers.” I made the point that freewriting (the practice of writing to a timer without attention to grammar, spelling or structure) could release blocked kids into writing.

As I spoke, I became impassioned:

We want free writers…

We want brave writers…

And immediately as the words escaped my mouth, I knew. I knew that my company had the wrong name and that even though all my materials had “writingcompass.com” emblazoned across the front of them, and my website was not even six months old, I’d have to change the name to “Brave Writer” when I got home. Which I did. Which was confusing for about a year and a half.

But I’m so glad I did.

The words “brave” and “free” combined with “writer” instantly showed me the deficits of “The Writing Compass.” The original name implied that what I’m about is writing, as though the materials and classes were sources of writing instruction. But the truth was and is, I care far more about writers. Writers need nurturing, permission to risk, empathy, support, guidance and praise. They need freedom and space. They need, in short, an advocate to support them as they take the risks of writing.

Writing, on the other hand, is that sterile term for what writers do. It’s the glass ceiling, the too-tight jeans, the healthy diet, the straight-backed chair, the rappelling rope over the edge of a cliff.

Writing advice is everywhere (and plenty of it good, even). Yet still too many homeschooled kids and mothers floundered when they tried to implement it. Oh they knew lots about writing. What they didn’t know is how to get it to happen. Who would tell them about writers, about the experience of being a writer and how it felt on the inside to dredge up words from the depths and then upchuck them onto paper? Who would show these budding writers that what they thought the most about was already valuable and worth sharing with an audience? Who would tell mothers how to be fanatical fans of their most beloved writers while the spelling and punctuation dribbled off the page?

I suppose a second name for my company could be “Brave Mothers.” Mothers needed support, guidance and admiration for their heroic efforts, too.

As I thought about Brave Writer this morning, it occurred to me that even the title of this company took over a year of freewriting before I got it right. I had to wallow in the complexity of what I wanted to offer, I had to meet mothers and share my ideas and explore what other people were saying about writing, teaching and homeschooling first. As I did, the lens focused.

The French have a wonderful verb that fits the narrowing experience: preciser (pronounced: pre-see-zay). It means “to make precise.” You take what is in unclear, muddled form and “precise” it – clarify, narrow, specify it. That’s what happens over a period of time as you give your attention to an idea, a thought, a view, a perspective. First you get it out in any form you can, living with it for awhile, and then, as you discover more of what you mean and want, you “precise” it.

After seven and a half years of working with writers and their moms, I like “Brave Writer” even more than I did the first time I “accidentally” uttered the two words together. Brave Writers and Brave Mothers – that’s what we’re about.

Precisely.

Posted in Brave Writer Philosophy, General | 1 Comment »

Bringing Brave Writer to Your Co-op!

Bringing Brave Writer to Your Co-op

Are you interested in using Brave Writer materials in a co-op setting? Here’s how to apply what you’ve gained through Brave Writer to a larger context.

First the legal stuff

  • You may use The Writer’s Jungle in a co-op setting. Please feel free to follow the exercises at the end of the chapters and to apply them to your classes. If you need to Xerox the directions to the Keen Observation or the Freewriting exercises, be my guest. The copyright limitation applies to reproducing entire chapters or the entire book. If you need to duplicate an exercise or some directions, by all means go ahead.
  • You may use dictation passages, writing prompts, and exercises from the language arts programs (including the back issues of the Arrow or Boomerang) in a co-op setting. Use the issues to introduce the ideas, and teach them; draw straight from the issues themselves to help you bring literary elements, writing and literature to life. I ask, however, that if you plan to have your students use the dictation passages or to learn about the literary elements outside of class primarily as homework, that you encourage the mothers to subscribe to the program through Brave Writer. I teach at a co-op and do the same thing with my students.
  • To sum up: I want you to feel free to use the resources you have purchased for your teaching. If, however, the work you want your students to do goes beyond the class (they are to read entire chapters in the Writer’s Jungle or do the dictation and follow the instructions in the language arts programs at home), then it is fair to ask them to purchase the materials themselves rather than using yours.

Now the fun stuff

  • Do not write on the first day. Kids often dread the first day of writing class so shock them. Play a game. For junior and senior high kids, we often play “Catch Phrase” to warm up to each other. With younger kids, you can play a game like “Guesstures” (a kind of charades game). And of course, the Communication Game in Chapter 2 of The Writer’s Jungle is also a great way to start. I often do the Communication Game in demonstration format with two kids in front of the room, first. On the first day: play with words, don’t write words.
  • Balance activities and writing process. It’s important to keep kids involved in experiences when teaching writing. The tendency is to focus on how writing should be rather than stimulating ideas, thoughts, observations and experiences. Going on a nature walk together, tasting a new food, looking at a painting, cutting words out of a magazine just to collect a bunch of cool words – these are ways to get your kids into life so that when you then go to writing, they have something to say, something to draw on.
  • Change the writing posture. Sitting at a desk facing forward with feet on the floor holding a yellow number 2 pencil kills the inspiration of many a good writer. Surprise your students by taking the writing outside or suggesting they sit on the floor, or bring in some bean bag chairs or supply them with colored pens and pencils. These may seem like gimmicks, but the truth is, writing thrives when inspiration is felt. And for some reason, a new posture or colorful pens help kids. (As do brownies… but they are messy.)

Party School!

Posted in Brave Writer Philosophy, BW products | 3 Comments »

WriTeen

Gabrielle Linnell, celebrated Brave Writer author (she’s the extraordinary eight year old featured in The Writer’s Jungle whose story “The Adventuring Maid” is an example of wonderful prose at an early age) is up to her writing antics again. She’s already published, let’s see, how many? 1, 2, 3, 4, ….. 10 articles in her short 15 years. And now she’s publishing an e-zine for teens who want to write! She sent me her first issue and I want to share it with you here.

Now that’s a brave writer, don’t you think? (I have already made her promise to sign a copy of her first novel and send it to me when she’s famous.)

Innovative
a word for the writeenpremiere issue: July 22nd, 2007
Editor: Gabrielle Linnell

WORD:

It is a truth universally acknowledged that teen writing is not socially acceptable.

I mean, what kind of weekend activity could be more embarrassing? “Hey, I skate-boarded.” “Hey, I shopped.” “Hey, I devoured three books on marketing and pasted four envelopes with submissions to hooty-tooty magazines?”

You see my point?

The problem that adult and teen writers face is that to be a writer is to dream about something, to leap for it. It’s not like you can go to School of Writing and graduate with a degree, so you’re “officially” a writer. Even real MFA graduate schools can’t guarantee that their students are prime storytellers. So, like most dreams, it’s embarrassing to talk about because if you do spill the beans, people are going to think you’re a little childish.

Thousands of kids dream of being writers. I guess there’s something enchanting about the word, about the creative process. Most of these same-said kids grow up and find different jobs, but some of us refuse to grow up. There are a few of us who take the dream and make it into something solid, like a copy of a magazine with your name on it. We’re not kids, we’re not grown-ups. We’re teen writers.

Innovative: (courtesy of dictionary.com)

  1. ahead of the times; “the advanced teaching methods”; “had advanced views on the subject”; “a forward-looking corporation”; “is British industry innovative enough?” [syn: advanced]
  2. being or producing something like nothing done or experienced or created before; “stylistically innovative works”; “innovative members of the artistic community”; “a mind so innovational, so original”

We don’t have the maturity of a sixty-year-old woman who has seen the world. We don’t have the naivete of a six-year-old writing for Stone Soup. But I think we can bring innovation to the literary world, “producing something like nothing done or experienced or created before.”

Welcome to Innovative. Innovative is an adjective. Innovative is also my new baby project, that you are embarking on with me. I’m specifically looking at how WriTeens work in publication. You have to love the metaphysical discussion of writing as art, but this is more writing-in-action.

I want to create something FOR the WriTeens, since there’s not a lot out there. I have never read a writing magazine for teenagers, about writing and the writing process. There are a few books, but nothing compared to the amount available for the big guys. So, to help fill in the blank, there’s Innovative.

How am I qualified to do this? I’m not sure that I am. I’ve been published multiple times (check me out at www.storytellermag.com) and writing since I was seven or eight. I love words, with a surpassing passion. I’m a teenager, who writes and attempts to do it with innovation.

And heck, this looks like fun.

nextweek: I take a look at Stone Soup Syndrome. What is it? Find out!

MARKET spotlight: KidMagWriters.com

KidMagWriters.com is a monthly e-zine for people who write for children’s and teen’s magazines, like an online support group. First of all, it’s great to read. I read it every month and almost always come away with ideas and market opportunities. But it’s also a very nice way to get published.

It’s a nonpaying market, but it’s a good clip* and as Ariel Gore, author of How to Become a Famous Writer Before You’re Dead, says, publish as much as possible. If you have an innovative thought about writing, or teenagers, or publication, see if it would fit in here.

WHO YOU TALK TO: Jan Fields, editor. [email protected]
WHAT YOU SEND: Essays and success/attempt/what-I-learned stories. No fiction. There is a niche in their submission guidelines for stuff about/for young writers.
DETAILS: www.kidmagwriters.com/others/rite4us.htm

*Clip: a published story/article/essay/poem, often requested by other magazines as proof you’ve been published and have writing ability. It’s like if my story gets published in Learn ABCs, I can print it out and then when big magazine Learn Alphabet Phonetically wants me to send my submission AND a “clip,” I can send (or CLIP!) my Learn ABCs story with it.

Bookshelf: The Young Writer’s Guide to Getting Published by Kathy Henderson.

YWG2GP is a classic every WriTeen should read. It covers the basic essentials of submissions and marketing, with some nice profiles and about one hundred markets. WARNING: The latest edition is several years old, so some magazines she lists are defunct. But the basics remain current.

~TIP!~
When you read magazines you like, read the bios of the articles’ authors. Usually they list other magazines where they’ve been published, like: Julie Joyce has been published in Innovative, Creative, etc.

innovative housekeeping:
To contact Gabrille to participate, contact me and ask me to forward your email to Gabrielle.

Posted in Brave Writer Philosophy, General | 4 Comments »

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