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A Brave Writer's Life in Brief

Thoughts from my home to yours

Archive for the ‘Tips for Teen Writers’ Category

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Good News

One of the pleasures of teaching teens is that they go off into the world in a relatively short amount of time and then come back to tell you how your teaching did or didn’t make a difference in their lives.

Just the other day, after running at the YMCA, I ran into “Sara.” She took many of my writing classes and I even had the joy of privately tutoring her for awhile. Sara has always used writing to express her ideas, even as a young child trying to sort out whether or not the geological record supported an old or young earth theory. As a teen, she enjoyed fantasy so much, she embarked on writing her own novel and I got to read her first draft.

So there she was, in her red T-shirt holding the lifeguard floatie when she spotted me. “Mrs. Bogart?”

“Sara? Oh my goodness. How are you? Did you go off to college?”

“As a matter of fact yes. I am at the Art Institute downtown.”

“That’s marvelous! You were always so good at drawing.”

“But that’s not all. I was accepted into the Honor’s Writing program.”

She beamed.
I beamed.
We didn’t need to say any more.

We both knew that our work together had just been rubber stamped with “ya done good.” I’m so proud of Sara. And she seemed proud of me, too.

Posted in Brave Writer Philosophy, General, Tips for Teen Writers | Comments Off on Good News

Literary Elements for Teens: Song Lyrics

Literary Elements for Teens: Song Lyrics

One of the benefits of teaching a co-op class to juniors and seniors is that I am exposed to children that aren’t my own in a sustained, in-person format. I’ve taught hundreds of teens online for four and six week installments, but being able to work with students for an entire year, every week, with their immediate feedback (and even the feedback of their mothers) has given me new things to share about how the writing process grows in teens.

One of the practices I’ve installed in our weekly class is to deconstruct song lyrics every week. I began by modelling how its done using a song by Sting called “Fill ‘Er Up” off of the Brand New Day CD. We looked at the song structure (the way it follows a narrative formula: Action, Background, Development, Climax and Ending – ABDCE). We looked at the alternative names for this kind of structure: Set-up, Build-up and Pay-off.

Then we analyzed some of the metaphors and similes that are in this popular song, the role of nature to create the climax, the change in lyrics, singer and musical style during the pay-off and what Sting’s message is given how he resolves the conflict in the story.

It’s a great little song (a surprising one!) and it works every time to give students a chance to discover how literary elements work (they tend to believe that they are real more readily through song lyrics than in short stories or novels…).

So for the following weeks, each student brought a song to share and prepared to explain the structure (if there was one) and the use of metaphor, symbolism, simile, climax, and so on to communicate a message. We asked, “What is the message of this song?”

Here’s the funny thing. We meet once a week. Most of the kids are getting their work done, but there are at least half of them who are missing at least one assignment. They only have to do the song explication once in the semester and were assigned their dates at the beginning of the course. I never reminded any of them of their due dates. Not a single person forgot his/her date and every single one came prepared and enthusiastic to class with CD and lyrics to be handed out. Every student had something worthwhile to share. For those less able to delve into lyrics, the class supplied what was missing.

This was by far their favorite assignment of the semester.

The most amazing thing has occurred: these students know their literary elements. We didn’t crack a book or read poetry or study a novel. We listened to songs – songs they love and picked themselves. Through that medium, they came to “believe” in the power of literary elements and repeatedly showed me in their writing that they were “catching on.”

If you have the chance to listen to music together – music your teen loves – and can look at the intentional use of literary elements in that song, you will open a door that will not be easily closed.

Julie

Image by Lindsey Turner (cc cropped)

Posted in Help for High School, Tips for Teen Writers, Writing Exercises | Comments Off on Literary Elements for Teens: Song Lyrics

Argument in Essay Writing

Argument in Essay Writing

When I taught juniors and seniors advanced composition at our co-op, I had the students discuss the concept of arguing.

Essay writing is dependent on crafting a well-supported argument. The writer:

  • makes an assertion,
  • looks at the facts,
  • and offers a reasonable explanation (interpretation) of the facts that supports the assertion.

Still, something else happened when we discussed the word “argument.” Before I gave it its rhetorical sense, my students defined it in terms of their experiences of arguing, especially arguing with parents.

Here are some of the things they wrote in freewrites about arguing:

“You know you are arguing when you find yourself feeling like you are being attacked or everything you say is being challenged.”

“I know that my coming of age next year will win this war, but I also enjoy sticking my foot out in front of theirs to prove my point.”

“When two people argue over what they think is better, nothing changes; nobody wins.”

“An argument is when a normal discussion turns for the worse; voices are raised and tempers flare.”

“You want to force your opinions on someone who has no interest in hearing them.”

“I like to argue when I’m right and I win the argument and the other person is left with nothing else to say.”

“Also when I am really passionate about something, my arguments become less logical and more emotional (tears and yelling) which I feel weakens my point.”

Notice that these comments set up a zero sum game where there is a winner and loser. Even when someone agrees that there can be good that comes from the arguing, the typical route to getting there can involve raised voices or trampling on the feelings of the other.

It was stunning to think that when we teach the essay and use the term “argument” that we are tapping into these deeper scripts about what arguing is. Poorly written essays resemble rants. Students find themselves mimicking the passion they hear on talk radio or the nightly news when two sides are pitted against each other in a free-for-all.

Yet essay writing transforms our understanding of “argument.” Rather than seeing the essay as a win/lose proposition, we are asked to “propose” a possible interpretation of the facts that invites challenge. In other words, essay writing is not about “proofs” or “winning an argument” after all. Essays are attempts to make sense of data at a point in time.


For more information on essay writing, check out Help for High School and our online writing classes for teens.

Posted in Tips for Teen Writers | Comments Off on Argument in Essay Writing

Homeschooled High Schoolers

I teach writing at our homeschool co-op to juniors and seniors in high school. When I started, a few of the moms asked me to “really work” their teens. To “make them put in effort.” I smiled. Don’t you know me by now?

I like the kind of effort that comes from internal motivation. I like hard work that is the result of care, as in, I care about finding the right word or the best way to express this idea.

The question of the year, then, is how to inspire quality writing from teens that causes them to work hard but that isn’t drudgery.

We’re using my Help for High School writing manual as a guide because that’s why I wrote it. The goal of that manual is to help teens figure out what they care about, why they care about it and then how to get that passionate concern across to a reader.

As we’ve worked through the Keen Observation of an Idea exercise, an interesting discovery was made in our little group of students. Each student, except for one, felt it was easier to write from the opposing perspective – that is the perspective she or he didn’t hold. That means a student who is pro-life felt it was easier to write about the pro-choice position.

We wondered why that would be.

Some interesting insights followed that I thought worth sharing here.

  • To understand the opposing view, these kids had to read and do research that helped them know how the other side expressed itself – what language, terms, analogies, and arguments. They found themselves brand new to the other perspective so they were open and learning. They didn’t necessarily agree with what they were reading, but they were eager to understand so that they could write. This made them more conscious of absorbing the information and vocabulary of that idea.
  • Conversely, they already knew what they thought about their positions, but having never had to defend or explain it to outsiders, they held what we called a “naive” commitment. They live in a world of people who agree with them so they haven’t had to develop a vocabulary that helps them express the belief. In fact, many of them couldn’t even come up with concrete reasons for their beliefs or opinions because they had never had to think beyond the category of “yes” or “no” to the idea.
  • The question arose: How do I acquire a more rounded view of the world and how do I become the proprietor of my beliefs? In other words, these kids suddenly wanted to know how to make their opinions and beliefs their own. We discussed the need to read, the risk of reading outside your comfort zone and how that will necessarily impact how you hold your own views. We talked about how complicated it gets to allow your views to be modified or layered with complexity after having grown up with a singular and clear perspective that was endorsed by all the people you love and know.
  • My favorite moment came when one of the students said to me, “How do I know when I finally have my own view that isn’t from my parents or religion or a teacher? Like, when will I be done researching and know that I’m speaking for myself?” I smiled. “That process never ends,” I told him. “But what happens is that you become more skilled at navigating between views, you become more competent at articulating the positions you currently hold and you become a person who is better able to judge arguments and make decisions about them.” In short, this transition time to adulthood is the time you begin to make your values your own.

I love teens. It’s important that we remember that not one of us holds the identical views of our parents. In many cases, we chose to go directly against our up-bringings, even by becoming committed to religious faith! Our kids will develop their own points of view even if they stay committed to the essential values with which they were raised. If we can help them to explore and discover how to articulate those views (speak and write about them) and if we can be excited when we see them nuance their values with their own insights (even when they differ from ours), we will give them the gift of growth in writing and thought and personhood.

Posted in Brave Writer Philosophy, General, Tips for Teen Writers | Comments Off on Homeschooled High Schoolers

More poem contest winners

I have more poems to share from our September poetry winners. Today’s poem comes from Sean Malone, (17) (winner of the 15-18 category). I am also including his notes on the writing experience because they might encourage you or your kids in their writing.

It’s rushing and gushing, the wind – how it blows!
We’re fighting its biting; our noses are froze!
We swish and we slide down the mountain with ease,
Our heads bundled tightly, our feet in our skis.

We’re jumping and spinning and flying through air,
Of course there’s some danger; we haven’t a care.
The mountain is trying to beat us – it’s furious
I hope we can make it with nothing injurious!

Notes on the writing experience:

This poem came about in a rather interesting way. Unlike most writing assignments, it did not start with a topic. Rather, first I found the meter I wanted, then came up with the “–ing” rhymes in the first two lines. I set it aside for about a week, and then picked it up again and thought about how I wanted the rest of the first two lines to sound, and finally wrote the first line. I did not settle on a subject until I was working on the second line.

I find this to be a very effective method to get past writer’s block, and especially poet’s block. Instead of stressing out about what to say, or even what topic to use, instead you simply create a rhythm in your mind, and then find words to fit the rhythm and a topic to fit the words.

In this particular piece, the fast-paced meter combines with strong words that are almost onomatopoeic (such as “rushing,” “swish,” and “furious,” to name a few); the result being an overall feeling of swift motion, just as the narrator in the poem is experiencing. The slight change in meter at the end of the last two lines helps to give the poem a sense of completeness. All in all, I went through three drafts before coming up with the final copy.

Julie’s Notes
What I enjoyed about Sean’s poem is that he wrote it inside out; that is to say, he started with the feel of the poetry and then allowed the topic to sort of drop into the mood of the rhythms. He is following the pattern used by song writers. Most song writers start with a melody followed by words that fit the tune. Some do it the other way around (words first), but the vast majority get a little riff going inside and then later they join words to the music.

Poetry can be written in the same way, as Sean has shown us with his poem here. And don’t you love that he went through three drafts? Yes! That’s how it works.

Thanks Sean!

Posted in General, Poetry, Tips for Teen Writers | Comments Off on More poem contest winners

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