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A Brave Writer's Life in Brief

Thoughts from my home to yours

Archive for the ‘Brave Writer Philosophy’ Category

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Thank you notes

Writing thank you notesImage by eren {sea+prairie}

Hi Julie,

I’ve only just started reading my Writer’s Jungle so perhaps this question is already addressed somewhere in there.

How do I help my 10yo son improve his vocabulary choices while writing? He is a voracious reader and can comprehend vocabulary words way above grade level. However, pulling descriptive words out of him during writing is another story.

Here is how a recent session writing thank you notes went:

(Proofreading) “The (gift) is fun. You are very nice.”

Me: Hmmm…I think you can select words that pack a more descriptive punch. Let’s think of another word other than “fun”.

Him: Uhhh…okay, how about “good”?

Me: Well, “good” is also a bland word. Let’s think of the (gift). What words can you use to describe it?

Him: Fun. Good. Nice.

Me: Let’s do this…get the Synonym Finder and we will look up a new word.

Him: (Big Sigh, rolling eyes) NOOOOO! I want to use the word “fun”!

Me: Okay, let’s move on. How about finding a replacement for the word “nice”. (In my mind, I am thinking of words like “generous”, “thoughtful”, “kind”, etc.)

Him: Uhhhh….I can’t think of anything.

Me: You can’t think of anything?

Him: Okay, how about “good”?

And so on…

Help! Do you have any tips for me?

Thanks,
Linda

—

Hi Linda!

Your request likely feels like a very big challenge to your son as he is not thinking in specifics but vague generalities.

The best thank you notes tell a little anecdote. So rather than asking him for a summary word, ask him about playing with the gift. What did he do the first time he played or did he have a big win or did he beat the computer or whatever?

Help him to remember the thing as it is used, not as it is described in terms of adjectives.

Fun is a great place to start. Now help him to show the fun he had (rather than summarizing it).

How about:

Thanks for the really fun gift! My brother and I played with it for four hours. I ________ until my brother tried to _________ and then right when I thought I would lose I __________ and whipped his butt.

Something like that.

The point is, don’t write about the gift in general. Try to put it in a specific context and the words will more likely come forth.

Also, words like generous, thoughtful, kind are parent words. Nice is a meaningless word. So perhaps you can help him to say what he really means:

I love that you knew to get me that gift because….

Or:

It’s so cool that you would buy me the thing I’ve been wanting forever…

That kind of thing rather than generalizations.

I hope that helps a bit!
Julie

—

Hi Julie,

Your tips helped!

Here is his latest thank you:

Thank you for the Key Card Door Alarm. I rigged it to my drawer. I put my favorite Christmas presents in the drawer. Now they are safe from sneaky monkeys!

I love you very much!

What I love about it is that it captures a bit of his personality, which is what Brave Writer is all about!

Thanks, again!
Linda

Posted in Activities, Brave Writer Philosophy, Email, Young Writers | 2 Comments »

Clear the coffee table

Once in a while I like to remind moms to “clear the coffee table.” What I mean is that you should clear off a space that is taken for granted in your house and put something out that is surprising, new, novel or has been overlooked for a long time. Perhaps there’s a bucket of Legos that has gathered dust in the basement. Bring it upstairs! Maybe you have a collection of art postcards that you haven’t thumbed through for awhile. Scatter those over the coffee table.

Poetry books, decks of cards, the game mancala, paintbrushes and watercolor paints, new pencils, note cards, disposable cameras, a birding field guide, binoculars, chess or checkers, a mini white board and markers, bean bags, beads and wire to make bracelets, an assortment of shells and fossils, teatime essentials (like mugs, teabags, a muffin mix and poetry), picture books from the library, jacks, back issues of National Geographic from the library, a new DVD… any of these can spark a train of activity that leads to learning.

If you notice that the morning habits have become dull, “clear the coffee table” (or whatever space you can dedicate) and set out some new items to stimulate your kids (and yourself). Would love to know how it all worked out!

Posted in Brave Writer Philosophy, General, Homeschool Advice | 2 Comments »

Why Brave Writer online classes and discussions work

A funny thing happened to me this fall. Instead of teaching acting, like I used to at our local homeschool co-op, I now teach writing. This probably seems perfectly natural to you – that I would teach writing at the behest of our co-op families. However, I resisted this invitation for years. It was nice to take a break from writing on Mondays and to make use of those latent acting/directing skills. Plus, no papers to grade. I mean, honestly, that’s a no-brainer.

But after the co-op lost its high school writing teacher, I accepted their invitation to teach. This year I’ve got two in-person classes. We meet once per week. We use my materials. The kids have a syllabus to follow. I give them as much help and feedback on their writing as I can.

But what have I noticed? Their writing, while improving, does not improve as quickly as my online students’ writing does. Additionally, in class, student attention wanes, they treat the work we do together like assignments to get done, not a process to unfold. Likewise, in one of the two classes, these kids are very quiet. I have to use all my jokes, tricks and insider slang to get them to break out of their shells and speak up.

Online, I’ve been leading the Boomerang novel discussions all fall and for the last two weeks, Jon and I have team taught the Slingshot movie discussion. I have no eye contact, body language, visual aids or white boards to help me. We aren’t even all “in the same room” (online) at the same time. Students from around the world participate when and where they can – before swim meets, after finishing math, while listening to iPods, with the TV on in the background, flopped in a bed, poised over a family computer in the middle of the family room. In short, I have no control over the conditions under which they learn from me. I simply throw out questions and they respond when they can.

The difference between the two contexts and the results are striking!

First of all, there is no set class time when you learn online. Participants come and go when it is convenient to them. They don’t have to show up tired or hungry or distracted. They can come back later when they are ready to engage. It also means that there is something to read every day and often many times in one day: new questions, new responses, discussion between class members.

Second, all comments are written. That means that any response is required to be in writing. And yet because these discussions are not essays, the students don’t feel like they are writing. They feel like they are talking! That means that students are being led into written language to express their ideas, without having the consciousness of writing. That natural process of organizing and crafting sentences into a coherent thought (one that lasts longer than the few minutes it took to create it) leads to growth in formal writing. These conversations online are foundational to the healthy development of better essays.

Third, it’s easier to support a comment with a quote when you write it down. In my “in-person” classes, students have to come up with what they want to say instantly, on the fly, without time to flip through a book and find support for their answers. In the online discussions, students can read the question, leave the computer, flip through the book or rewind the DVD, think about their ideas, discuss them with mom or dad and then come back and post a response. They can quote directly from the text (or movie) to make their points. This practice is the bedrock of all academic writing. Yet in “in-person” classes, there is no space for this kind of exploration in writing. All writing projects tend to be polished essays. There’s no space for this unstructured written analysis.

Fourth, a camaraderie exists in online communities that I haven’t found in in-person classes. For one thing, it’s highly distracting to me as a teacher to have students chatting and making little jokes to one another when I’m in front of the room teaching. However, in an online context, students can start side conversations with each other which don’t distract at all from the main discussion. Students simply create a new thread for the topic of choice and those interested read and post. Meanwhile I can be explaining symbolism in another post and never be bothered by the side conversation.

Fifth, online discussions allow for a greater diversity of students than local classes. We have kids from around the world in our classes and discussions. Students from Australia, Canada and England are common enough, but we’ve also had kids from Thailand, Malaysia and Germany. Many of these are either military or missionaries, but their experiences abroad contribute to the diversity of opinions and input from which students benefit.

Lastly, I find online communication much more personal. There’s a tedium that sets in when I see a stack of twenty papers, all on the same topic, waiting for my feedback. I know that no matter what I write, only one student will see the words, read them and then file the paper unlikely to engage further with the feedback. Online, I give feedback that everyone reads. Multiple students benefit from every comment I make and more importantly, students respond to my feedback, asking for clarification, revising the portion that needed it and getting another follow up remark. In other words, online feedback is far superior to anything I can achieve in a live classroom. There’s hands-down no comparison.

It struck me as humorous this morning that online classes and discussions were so successful for the teaching of writing. We tend to think that if we have someone in person, we really have them, we really get what they want to convey. Yet my experience has been the opposite. In fact, I’d go so far as to say that teaching kids to write in a classroom is like trying to teach swimming without a pool. You can discuss all the strokes, you can show movies of how it’s done, you can have kids turn in movies of how they applied what you taught them… but if you never get in the pool together, your teaching will never be as relevant as you’d like.

Brave Writer classes and discussion groups are the swimming pool of writing. My teachers and I are in the water with your kids, swimming alongside, helping them with their strokes. We can see all their writing abilities up close and personal. And they get the fun of playing in the water, not just talking about it.

For more information about our winter class schedule, click here.

For more information about the Boomerang, our 7th-9th grade novel discussion group, click here.

Posted in Brave Writer Philosophy, BW products, General | 2 Comments »

Brave Writer, afterschooling and public schooled kids (Part Two)

Brave Writer and Public School Part 2

Previously, we discussed the differences between homeschool and public school.

So how can Brave Writer help your kids if they’re in school or if they are used to “school at home” (where homeschool duplicates the learning style of school with text books, workbooks and schoolish expectations)?

The important part of writing that gets overlooked (sometimes) by a school setting is the writer’s natural writing voice. While punctuation, grammar and spelling are important to the finished product of writing, these are not central to the art of writing (that process of dredging up words from the deep and getting them onto paper).

Writing has to make space for risk. Without risk, writers don’t grow. They may learn how to conform to expectations adequately, but they will not flourish as writers. What that means is that if your child is in a program at school that is squelching his or her natural writing voice, where you see writing developing into a resented subject, it’s time to intervene. Here are some practical tips for how Brave Writer can help you help your kids.

  1. Introduce weekly freewriting.
    Freewriting is the process by which kids get to express their written ideas and thoughts without the pressure to perform to someone else’s expectations. For kids in school, the initial feeling about freewriting might be that they are sick of writing and would like a break (not more of it at home). To counteract that feeling, try freewriting in a new setting. Get out of the house, sip a hot drink and freewrite together. You can turn a weekly freewriting time into shared quality time together. Explain that this writing is meant to help the child take risks, explore his or her sense of humor, to write all the silly things he or she wants to get out but can’t in school.
  2. Make use of the Keen Observation exercise.
    You don’t need to do this one every week, but it is very beneficial a couple times a year. The purpose of the Keen Observation Excerise is to help your child see the world more closely giving it language to express what is seen. For afterschooling, this particular exercise offers your kids the chance to slow the process of writing down. Rather than producing full sentences or paragraphs, the child gives full attention to phrases and words that match his or her experience of the item being observed. This exercise then gives you a bench mark for school writing projects. How can your child recall that experience of engaged observation to convey the assignment’s topic?
  3. Read to your kids.
    There’s a tendency to think that if a child can read, that student should read to himself. Schools no longer indulge in reading to children much past age 9. You can do it differently. Rather than everyone finishing an evening together in front of the TV, select a quality work and read it a chapter at a time before bed each night. Fiction is wonderful, but don’t forget about quality non-fiction too. We’ve read books like The Wind Masters (about the flight and habits of raptors) as well as Where in the World? A Geografunny Guide to your Globe as read alouds because they were well-written and entertaining. When you read to a child, you slow the words down so that your son or daughter really hears them. You have the chance to explain processes or plot twists, you enjoy the humor, you live the story together and will naturally find connecting points in your daily life. These book experiences help your child internalize quality writing.
  4. Go easy on school grades for writing.
    Remember that elementary and junior high school grades don’t mean much in the scheme of things. Getting poor marks for spelling or handwriting says nothing about a student’s ability to write. When you read anything your child produces for school, identify what you really loved about the content and ignore any remarks on the paper about the mechanics of writing. Focus all your attention on the language (word choices) and content (what the child attempted to convey). Keep your remarks to the strictly positive. Be specific, “You know so much about hummingbirds. I didn’t know that they ____________. And how funny that you call them “Little honeysuckle suckers” because that is so much what they’re like. The words make music when I read them.” Save and share any writing your kids produce that they like with someone else (spouses make perfect audiences, but so do grandparents, aunts, uncles, close family friends).

The Writer’s Jungle is still an excellent resource for moms whose kids are in school. It helps mothers understand how to facilitate and support a child’s growth as a writer. Certainly there are additional challenges to overcome since school writing is heavy on correction and slight on meaningful praise. Your job is to shore up what the teacher fails to do. Become your child’s ally, not one more critical voice.

If you don’t know how to do that, sign up for Kidswrite Basic. This class can be done in combination with school (we’ve had several public school parents and kids in our courses over the years).

You’ll discover more than how to write, but how to be the person in your child’s life that can overcome the negative influences of poor writing instruction.

Write for Fun!

Posted in Brave Writer Philosophy, BW and public school, General, Writing Exercises, Young Writers | 1 Comment »

Brave Writer, afterschooling and public schooled kids (Part One)

Brave Writer and Public School

I’ve had several emails asking about how Brave Writer fits with public schooling or if it can be used for afterschooling. The answer is a resounding yes!

I have two experiences to share that might shed a little light on how writing in public school is experienced and perceived.

My roommate friend from college called me to ask for writing help and advice for her then 9 year old daughter. Apparently this natural writer had already lost her enthusiasm for telling stories, doodling, and writing. Her teacher had assigned the class a daily journaling practice. Jennifer’s writing had gone from delightful retellings of the little events in her life to carefully crafted, correctly punctuated two or three sentences that recounted nothing more important than what she had eaten for breakfast.

Upon further inquiry by me, I discovered that this teacher was red-inking these daily journal entries. Each one was graded for grammar, spelling, punctuation and neatness (penmanship). At age nine, little Jennifer had already figured out that she was “safest” if she kept her entries short, avoided any words she didn’t know how to spell and limited her sentences to only a few words at a time.

Cyndy called to ask me: “What has happened to my daughter’s love of writing and her bright imagination?” Cyndy wondered how to rekindle Jennifer’s enthusiasm for language in written form now that school had snuffed it out. I had to wonder:

What good is proper punctuation, spelling and tidy handwriting if the contents were tedious to read?

Becky, a homeschooling mother getting her feet wet with Brave Writer, has a different perception of school and sent an email to ask me this question:

Julie,

Why is it that public schools seem to teach writing so much better (or at least more easily) than homeschoolers? What are we doing wrong? What are they doing right? I hear from you and from lots of other homeschoolers to not worry so much and that things then to work out without so much worry. I want my child to WRITE and the public school students seem to do it so easily. What should I change? Should I change?

We are beginning on our Writer’s Jungle journey and are enjoying Freewrites and Teatimes and Copywork/Dictation with the Arrow. My son is nine years old.

I thought maybe you might be able to answer this question in you blog at sometime in the future.

Thanks,

Becky in WA

It is interesting that her son is also nine years old. I emailed her back with a few questions and Becky sent a second email:

I suppose some of the reason that I feel the public schools are doing a better job at teaching writing is based on the quantity of work that the children produce and the ease with which they control a pencil (neat handwriting). Public school seems to do more writing than homeschoolers do and it isn’t a big deal to the students. Sometimes it seems like pulling teeth to get two sentences out of my son.

For example: Public school: write in your journal today; answer these questions (in writing) about the film we just watched, do written corrections in your grammar book of these sentences, write a sentence with each of your spelling words, do this type of book report, etc. My son acts like he is dying having to write anything, and I worry that I have done something wrong by not pushing or requiring more of him. Admittedly, he loves to write on his own (horrible spelling and few capitals or periods) and really doesn’t mind the freewrite/copywork things we are doing with writer’s jungle (sic). But we still do a lot of work orally and his handwriting is awful.

I wonder if my son has more than the usual problems with writing (such as dysgraphia) or if he is fine. But there seem to be a lot of homeschooled boys whose mothers can’t get them to write. What are we doing wrong?

Becky

From the inside, school writing feels stifling, contrived and sometimes, overwhelming, particularly to kids who struggle to write (and there are plenty of those types of kids in public school). From the outside, that reassuring stack of completed writing assignments with happy faces, stickers and the requisite red ink creates the impression of cooperative, effective writing instruction. Not so fast Charley.

Let’s take a closer look at the differences between school in a building and school at home. First, classrooms hold some 20-30 children with one teacher. That teacher doesn’t have time to hold rich conversations with each child about his or her reactions to a film, book, play or art project. The teacher can’t sit side by side with each kid discussing writing conventions, accommodating learning styles, giving unlimited time to complete a project, tailoring an assignment to fit the individual strengths and weaknesses of the child. She might want to. And many of the good ones figure out how to do as much of that as they can within the confines of school. Still, logistically speaking, school is about managing a large group and moving them through pre-designed steps that must be covered by year’s end.

The truth is, what counts in school is performance on year-end district or statewide tests. Those tests measure the measurable. They aren’t looking at how rich the imagination is, or how sophisticated the vocabulary, or how intensely that student mastered a specific area of interest (like art from the Renaissance or why an owl’s head can turn 360 degrees or how Pokemon cards are organized). Paragraphs organized according to formula (for easy grading), spelling, grammar and punctuation get top billing. Training kids to tolerate a lot of writing is top priority.

In a controlled environment where mothers are not present, students learn how to manage their anxiety around writing. Some shut down the creativity (like Jennifer), some are funneled into special needs groups (even kids who don’t have special needs but who just need a bit more time to mature), some begin to hate school. (Of course there are some kids who enjoy school and writing and don’t have these reactions too. Those kids would do well in any learning environment and make up a smaller percentage of the whole.)

Public school does what we can’t do at home: It sets a normative daily practice that kids feel compelled to obey despite their abilities, interest level or needs. They are trained early on that success in that environment requires compliance, coping, and copying (the models, the methods and the manner of learning).

Home education is less coercive by nature. Phone calls, dental appointments and holiday preparations interrupt “school,” mothers are warm and cuddly (usually) and responsive to complaints. Parents can know that a child is learning without a worksheet, they can enjoy and savor a child’s latest in-depth exploration of a topic because there is time enough, space enough, caring enough for those conversations to occur. Writing is a part of a whole life, not a requirement to finish so recess can begin, so the report card will be good, so the teacher will be satisfied.

In short, writing at home has an entirely different character and quality than it does in school.

It develops more the way talking developed in your children. A nine year old boy may really feel that handwriting is torture (just so you know, lots of nine year olds in school feel that way too however they have no options but to do what they hate anyway). As parents at home, we have the chance to do it differently.

As I told Cyndy, writing has to become a means of communication that the child values in order for it to ever be more than the execution of duty on behalf of someone else’s agenda. I sent Cyndy some of the exercises we use in Kidswrite Basic as well as The Writer’s Jungle (I’ll write more about these in Part Two). We talked about how to get the joy and life back into her daughter’s experiences. I suggested that Cyndy talk to the teacher and ask her to let journal entries be free of corrections so that kids could take writing risks while they are developing. I suggested books that she could recommend to the teacher about how writing develops in children.

As home educators, we can do all of this and more. We can give space for freedom in writing (without corrections), we can take time for our kids’ hands to develop so that they don’t hate the physical act of writing which then sets the pattern of hating written communication. We can celebrate the insight despite the spelling. There’s no crime in having bad spelling at age 9. Think of it this way. When your toddler misspeaks, you don’t worry that other kids from daycare are better “talkers.” You chuckle when he says “mazazine” and means “magazine” because you know over time, he’ll learn to say it correctly. Same thing is true when he writes “becuz.” Jot it down in the baby book as evidence of a “cute stage” he’s in.

The point is this: homeschool and public school are profoundly different in their outlook and methods of education.

Don’t expect home to mirror school and vice versa. However, given the limitations and strengths of each, there are ways to preserve and cultivate a love for writing. Tomorrow’s entry will discuss how to create a space at home (either for afterschooling or homeschooling) that releases the writer within your child.

Brave Writer Kidswrite Basic

Posted in Brave Writer Philosophy, BW and public school, General | 2 Comments »

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