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A Brave Writer's Life in Brief

Thoughts from my home to yours

Archive for the ‘Brave Writer Philosophy’ Category

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Brave Writers, Brave Mothers


CHEO
Originally uploaded by juliecinci

When I attended the state homeschool convention seven years ago, I spoke as the owner of “The Writing Compass.” I didn’t like the name. I’d spent months scribbling alternatives, none of which worked for me. The idea of a compass sort of went with jungle, as in, The Writer’s Jungle, but it felt stilted and out of focus.

Grudgingly, I moved forward anyway. That first afternoon, I stood in a room full of mothers, giving my workshop called “Rescuing Reluctant Writers.” I made the point that freewriting (the practice of writing to a timer without attention to grammar, spelling or structure) could release blocked kids into writing.

As I spoke, I became impassioned:

We want free writers…

We want brave writers…

And immediately as the words escaped my mouth, I knew. I knew that my company had the wrong name and that even though all my materials had “writingcompass.com” emblazoned across the front of them, and my website was not even six months old, I’d have to change the name to “Brave Writer” when I got home. Which I did. Which was confusing for about a year and a half.

But I’m so glad I did.

The words “brave” and “free” combined with “writer” instantly showed me the deficits of “The Writing Compass.” The original name implied that what I’m about is writing, as though the materials and classes were sources of writing instruction. But the truth was and is, I care far more about writers. Writers need nurturing, permission to risk, empathy, support, guidance and praise. They need freedom and space. They need, in short, an advocate to support them as they take the risks of writing.

Writing, on the other hand, is that sterile term for what writers do. It’s the glass ceiling, the too-tight jeans, the healthy diet, the straight-backed chair, the rappelling rope over the edge of a cliff.

Writing advice is everywhere (and plenty of it good, even). Yet still too many homeschooled kids and mothers floundered when they tried to implement it. Oh they knew lots about writing. What they didn’t know is how to get it to happen. Who would tell them about writers, about the experience of being a writer and how it felt on the inside to dredge up words from the depths and then upchuck them onto paper? Who would show these budding writers that what they thought the most about was already valuable and worth sharing with an audience? Who would tell mothers how to be fanatical fans of their most beloved writers while the spelling and punctuation dribbled off the page?

I suppose a second name for my company could be “Brave Mothers.” Mothers needed support, guidance and admiration for their heroic efforts, too.

As I thought about Brave Writer this morning, it occurred to me that even the title of this company took over a year of freewriting before I got it right. I had to wallow in the complexity of what I wanted to offer, I had to meet mothers and share my ideas and explore what other people were saying about writing, teaching and homeschooling first. As I did, the lens focused.

The French have a wonderful verb that fits the narrowing experience: preciser (pronounced: pre-see-zay). It means “to make precise.” You take what is in unclear, muddled form and “precise” it – clarify, narrow, specify it. That’s what happens over a period of time as you give your attention to an idea, a thought, a view, a perspective. First you get it out in any form you can, living with it for awhile, and then, as you discover more of what you mean and want, you “precise” it.

After seven and a half years of working with writers and their moms, I like “Brave Writer” even more than I did the first time I “accidentally” uttered the two words together. Brave Writers and Brave Mothers – that’s what we’re about.

Precisely.

Posted in Brave Writer Philosophy, General | 1 Comment »

Bringing Brave Writer to Your Co-op!

Bringing Brave Writer to Your Co-op

Are you interested in using Brave Writer materials in a co-op setting? Here’s how to apply what you’ve gained through Brave Writer to a larger context.

First the legal stuff

  • You may use The Writer’s Jungle in a co-op setting. Please feel free to follow the exercises at the end of the chapters and to apply them to your classes. If you need to Xerox the directions to the Keen Observation or the Freewriting exercises, be my guest. The copyright limitation applies to reproducing entire chapters or the entire book. If you need to duplicate an exercise or some directions, by all means go ahead.
  • You may use dictation passages, writing prompts, and exercises from the language arts programs (including the back issues of the Arrow or Boomerang) in a co-op setting. Use the issues to introduce the ideas, and teach them; draw straight from the issues themselves to help you bring literary elements, writing and literature to life. I ask, however, that if you plan to have your students use the dictation passages or to learn about the literary elements outside of class primarily as homework, that you encourage the mothers to subscribe to the program through Brave Writer. I teach at a co-op and do the same thing with my students.
  • To sum up: I want you to feel free to use the resources you have purchased for your teaching. If, however, the work you want your students to do goes beyond the class (they are to read entire chapters in the Writer’s Jungle or do the dictation and follow the instructions in the language arts programs at home), then it is fair to ask them to purchase the materials themselves rather than using yours.

Now the fun stuff

  • Do not write on the first day. Kids often dread the first day of writing class so shock them. Play a game. For junior and senior high kids, we often play “Catch Phrase” to warm up to each other. With younger kids, you can play a game like “Guesstures” (a kind of charades game). And of course, the Communication Game in Chapter 2 of The Writer’s Jungle is also a great way to start. I often do the Communication Game in demonstration format with two kids in front of the room, first. On the first day: play with words, don’t write words.
  • Balance activities and writing process. It’s important to keep kids involved in experiences when teaching writing. The tendency is to focus on how writing should be rather than stimulating ideas, thoughts, observations and experiences. Going on a nature walk together, tasting a new food, looking at a painting, cutting words out of a magazine just to collect a bunch of cool words – these are ways to get your kids into life so that when you then go to writing, they have something to say, something to draw on.
  • Change the writing posture. Sitting at a desk facing forward with feet on the floor holding a yellow number 2 pencil kills the inspiration of many a good writer. Surprise your students by taking the writing outside or suggesting they sit on the floor, or bring in some bean bag chairs or supply them with colored pens and pencils. These may seem like gimmicks, but the truth is, writing thrives when inspiration is felt. And for some reason, a new posture or colorful pens help kids. (As do brownies… but they are messy.)

Party School!

Posted in Brave Writer Philosophy, BW products | 3 Comments »

WriTeen

Gabrielle Linnell, celebrated Brave Writer author (she’s the extraordinary eight year old featured in The Writer’s Jungle whose story “The Adventuring Maid” is an example of wonderful prose at an early age) is up to her writing antics again. She’s already published, let’s see, how many? 1, 2, 3, 4, ….. 10 articles in her short 15 years. And now she’s publishing an e-zine for teens who want to write! She sent me her first issue and I want to share it with you here.

Now that’s a brave writer, don’t you think? (I have already made her promise to sign a copy of her first novel and send it to me when she’s famous.)

Innovative
a word for the writeenpremiere issue: July 22nd, 2007
Editor: Gabrielle Linnell

WORD:

It is a truth universally acknowledged that teen writing is not socially acceptable.

I mean, what kind of weekend activity could be more embarrassing? “Hey, I skate-boarded.” “Hey, I shopped.” “Hey, I devoured three books on marketing and pasted four envelopes with submissions to hooty-tooty magazines?”

You see my point?

The problem that adult and teen writers face is that to be a writer is to dream about something, to leap for it. It’s not like you can go to School of Writing and graduate with a degree, so you’re “officially” a writer. Even real MFA graduate schools can’t guarantee that their students are prime storytellers. So, like most dreams, it’s embarrassing to talk about because if you do spill the beans, people are going to think you’re a little childish.

Thousands of kids dream of being writers. I guess there’s something enchanting about the word, about the creative process. Most of these same-said kids grow up and find different jobs, but some of us refuse to grow up. There are a few of us who take the dream and make it into something solid, like a copy of a magazine with your name on it. We’re not kids, we’re not grown-ups. We’re teen writers.

Innovative: (courtesy of dictionary.com)

  1. ahead of the times; “the advanced teaching methods”; “had advanced views on the subject”; “a forward-looking corporation”; “is British industry innovative enough?” [syn: advanced]
  2. being or producing something like nothing done or experienced or created before; “stylistically innovative works”; “innovative members of the artistic community”; “a mind so innovational, so original”

We don’t have the maturity of a sixty-year-old woman who has seen the world. We don’t have the naivete of a six-year-old writing for Stone Soup. But I think we can bring innovation to the literary world, “producing something like nothing done or experienced or created before.”

Welcome to Innovative. Innovative is an adjective. Innovative is also my new baby project, that you are embarking on with me. I’m specifically looking at how WriTeens work in publication. You have to love the metaphysical discussion of writing as art, but this is more writing-in-action.

I want to create something FOR the WriTeens, since there’s not a lot out there. I have never read a writing magazine for teenagers, about writing and the writing process. There are a few books, but nothing compared to the amount available for the big guys. So, to help fill in the blank, there’s Innovative.

How am I qualified to do this? I’m not sure that I am. I’ve been published multiple times (check me out at www.storytellermag.com) and writing since I was seven or eight. I love words, with a surpassing passion. I’m a teenager, who writes and attempts to do it with innovation.

And heck, this looks like fun.

nextweek: I take a look at Stone Soup Syndrome. What is it? Find out!

MARKET spotlight: KidMagWriters.com

KidMagWriters.com is a monthly e-zine for people who write for children’s and teen’s magazines, like an online support group. First of all, it’s great to read. I read it every month and almost always come away with ideas and market opportunities. But it’s also a very nice way to get published.

It’s a nonpaying market, but it’s a good clip* and as Ariel Gore, author of How to Become a Famous Writer Before You’re Dead, says, publish as much as possible. If you have an innovative thought about writing, or teenagers, or publication, see if it would fit in here.

WHO YOU TALK TO: Jan Fields, editor. editor@kidmagwriters.com
WHAT YOU SEND: Essays and success/attempt/what-I-learned stories. No fiction. There is a niche in their submission guidelines for stuff about/for young writers.
DETAILS: www.kidmagwriters.com/others/rite4us.htm

*Clip: a published story/article/essay/poem, often requested by other magazines as proof you’ve been published and have writing ability. It’s like if my story gets published in Learn ABCs, I can print it out and then when big magazine Learn Alphabet Phonetically wants me to send my submission AND a “clip,” I can send (or CLIP!) my Learn ABCs story with it.

Bookshelf: The Young Writer’s Guide to Getting Published by Kathy Henderson.

YWG2GP is a classic every WriTeen should read. It covers the basic essentials of submissions and marketing, with some nice profiles and about one hundred markets. WARNING: The latest edition is several years old, so some magazines she lists are defunct. But the basics remain current.

~TIP!~
When you read magazines you like, read the bios of the articles’ authors. Usually they list other magazines where they’ve been published, like: Julie Joyce has been published in Innovative, Creative, etc.

innovative housekeeping:
To contact Gabrille to participate, contact me and ask me to forward your email to Gabrielle.

Posted in Brave Writer Philosophy, General | 4 Comments »

Mega case of writer’s block

I’m just a wee bit obsessed with clarity in writing, especially on my own website.

Which inevitably leads to writer’s block and I’ve got a gi-normous case right now. Do not pass “Go,” do not collect reassuring comments from fans. Writer’s block feels like jogging a mile in concrete boots, or shaking and squeezing the goopy remains of catsup from the bottom of the crusty Heinz bottle, or hauling a toddler on each hip while pushing a stroller with a crying baby in the hot sun uphill… and the hill turns out to be a sand dune. Yeah, it’s a lot like that.

Did I mention I’m in the middle of a site redesign? Not dissimilar to: Doing plastic surgery to my own face with a mirror and a manual written in code using a dull butter knife to make the incisions.

In addition to having to learn an entirely new platform for website creation (and all the headaches of CSS, templates, CMS, web trees, site navigation etc.), I’m rewriting the content of the old site to make the new site user friendly. Ha! It’s more like owner-hostile currently. For instance, tonight I worked on the home page. You know, “When I think of home, I think of a place where there is…. love overflowing.” Not so fast Charley.

As I clicked ‘save’ after making my meager entry, the page morphed into something utterly different than I had last seen it – with borders and color changes and fonts in sizes I had in no way intended! I back tracked, and trekked through the muck of the inner guts of the web page becoming more and more astounded that every time I checked the home page, it looked different again.

By now, I was not writing, nor was I editing. I was pulling out my grey hairs in fistfuls. And then Bing! A little bell rang to let me know my email had received a delightful note from the designer. “Don’t mind me. I’m messing with the home page format right now.”

Oh NOW you tell me!

So yeah, no wonder words aren’t exactly oozing from the word place within. They’re being hi-jacked by perspiration and panic attacks… and my webmaster, apparently.

In addition to the undertaking of a newly designed website, I thought I’d test my heart, adrenal glands and sanity by adding an entirely new platform for our online classes. I tell you, this new education software rocks! It’s just so much more (what’s that favorite geek-speak term?) “robust” than the forums we’ve been working to death for the last six years. But yes, you got it. More design questions. Another walloping learning curve. And did I mention… we’re right down to the wire on when it has to be installed, skinned, uploaded and integrated? (Can you believe what a load of uninspired vocabulary we have to use in the web world?)

All that to say… I’m plumb tuckered out and all out of words. If you’ve emailed me in the last three weeks and I haven’t responded, please send your question again. My email inbox is overflowing and I might not find it amid all the “check this” and “check that” emails by the web guys I rely on to save me from myself.

Oh, and I think you’ll love the new site. 🙂 Can’t wait to unveil it. Should be about ten days away.

Posted in Brave Writer Philosophy, General | 2 Comments »

Reading aloud

We sat on cold tile floors, Jon lounging in a blue caftan, extending his 6’4″ body over a couple of red pillows for comfort, while I leaned my back against the concrete walls, upright, to better hold open the pages of the novel. The Far Pavillions by M. M. Kaye brought us spices and India, romance and war. I read aloud to Jon sometimes for three hours in a day while we waited for the hot, slow summer weeks to roll by so we could leave the country and head out to sunny Spain for our missionary camp.

The Far Pavillions wasn’t the first book I read aloud to Jon. When we were engaged, I read Shogun to him, every page. Reading aloud became a shared point of connection and escape. We eventually worked through several of James Clavell’s novels, most of M.M. Kaye’s and a few of John LeCarre’s.

Once we returned to the states, life became hectic with the increase of children, Jon working away from home, homeschooling. When I had just given birth to our fifth child, we decided to give it another whirl. We read aloud in the evenings after the other four kids were in bed. Instead of TV or videos, we’d snuggle in blankets while I’d nurse Caitrin, and Jon would read to me. Eventually, I’d yank the book back from him as he has this habit of getting so wrapped up in the story, he starts skipping words in order to get ahead. It’s not as much fun for the listener at that point. 🙂

What is fun, though, is reading together. Even today, while we don’t have as much time as we once did to read aloud lengthy novels without interruption, we still find ourselves reading aloud bits of articles, paragraphs out of books, quotes, poems, essays. It’s not enough to say to each other: “Read this article when you get a chance.” For some reason, we just have to do it out loud and talk about it right then and see the reaction of the other person as we are reading or it isn’t the same.

Reading to our kids, then, was a no-brainer. And it never occurred to me that a time might come when they were too old to be read to. After all, I’d been reading to a full-grown male for most of my married life!

With the approach of the release of the final Harry Potter book, my kids are at fever pitch around here trying to determine how many copies we must purchase in order to make it possible for as many people to read it at once as want to. I’ve read all six aloud, the first three twice (at two different times to two different sets of our kids). The older kids want to read the newest book right away, to themselves. But the younger ones have already asked me to read it to them like I’ve done with the other six books.

I’m glad.

There’s something about that shared time that transcends reading to myself.

Posted in Brave Writer Philosophy, General, Living Literature, Poetry Teatime | 2 Comments »

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