Archive for the ‘Writing about Writing’ Category

5 Ways to Get Writing to an Audience

5 Ways to Get a Child's Writing to an Audience

by Finlay Worrallo, Brave Writer student and intern

Over Dinner

Chose something you’ve written and ask your family if you can read it to them over dinner, or at another point in the day when you’re all together. Read clearly and a little slower than feels natural–that will result in a pleasant reading speed. Afterwards, ask your family what they thought of it and listen to their feedback.

With Friends and Extended Family

Pick a handful of people you know well whose opinions you value, but who you don’t see every day–friends, aunts, uncles, grandparents, etc. Then select a piece of writing you’re proud of, and send a copy to each person, either by post or email, along with a quick message asking for some comments on your writing. Be specific–for example, ask them to chose one sentence they liked and one that was difficult to understand. Wait patiently for their replies and read them when they arrive. With any luck, your chosen people will give you some constructive comments on your piece. Remember to say thank you for their time!

On the Internet

Blogging is easy these days and it’s a simple way of getting your writing to an audience. First, set yourself up with one online, with your parent’s permission and help if necessary. Then begin with a post about who you are and what your blog’s going to be about. (This is always a good start, as it helps readers to work out whether they fit into your potential audience. If you’re writing reviews of computer games, your best friend might love to read your blog, but your best friend’s aunt might not.) After that, start blogging articles! People like blogs which are updated regularly, so it’s a good idea to add a new post at least every week, or more often if you’ve got time. Then tell all your friends and family about your new blog and spread the word.

In a Magazine

If you read any newspapers or magazines, why not send a letter to the letters to the editor’s page? The whole point of a letters page is to showcase the opinions of readers, so it’s a window of opportunity that’s always open. And if you get your letter published, your writing will potentially be read by thousands. So think about what sort of topics the letters tend to be about–current events, readers’ own lives, comments on the magazine content–then write a letter in a similar vein and send it off!

Through a Competition

It’s true that entering a writing competition is a way of finding an audience that might involve spending money–but on the bright side, you might actually get some money in return. Look for student writing competitions online and see if you can find a free one or one with a low entry fee (few are more than $10). Read the guidelines and bear them in mind while writing your story, poem or article. Send it in before the deadline and wait and see what happens. If you win, brilliant! If you don’t, remember you can try again as many times as you like. After all, the first Harry Potter book got rejected 12 times!

Brave Writer Online Classes

Criteria for Feedback

Be your kids' trusted writing coach

Elizabeth Gilbert, professional successful writer, shared about how she handles criticism of her work. She avoids it. She doesn’t entrust her self or her work to those who haven’t earned the right to speak into her life. Then she wrote a list of criteria she uses when asking for feedback for her work. My jaw dropped. These are the criteria I advocate for how a parent can be a trusted coach and ally to their children in writing.

Here’s the list of how she finds her critics. Imagine your child asking these questions while evaluating whether or not to trust you with their work. If they can say that you are this kind of person, they will ask for your help and feedback! Promise!

1) Do I trust your opinion and your taste?

2) Do I trust that you will understand what I am trying to create, and therefore can help me to improve it?

3) Do I trust that you have my best interests at heart — that there is no dark ulterior motive, and no hidden agenda in your criticism?

4) Do I trust that you can offer your criticism with a fundamental spirit of gentleness, so that I can actually hear it without being mortally wounded?

She concludes:

Gentleness is very important.

YES!! Take these words to heart today when you partner with your kids in ANY part of the school experience. Gain their trust. Be gentle.


The Writer's Jungle Online

Header image by Jess Pac (cc cropped, tinted, text added)

Hating Writing: The Hidden Side Effects

The Importance of Enjoying Writing

One of the hidden side effects of “not liking writing” is “not liking self.” We don’t talk about it much. We think that resistance to writing is a resistance to school or hard work. We tend to believe our kids are being disobedient or lazy.

To “hate” writing as a child usually means the young person has not yet made the connection that what is going on inside is worthy of the page! Heck, many adults have yet to make that connection! The pervasive critique of mechanics and raw thought makes many would-be writers withdraw from public scrutiny.

When we accept the idea that children “hate writing,” we unwittingly turn off the tap to joy in learning. Writing is the chief expression of self in academic life. Even higher math requires explanation and proofs in writing.

Children want to be seen as successful, bright, and capable. If they risk their private thoughts, ideas, and flights of imagination and are met with judgment, they decide that learning itself is not worth the effort. By high school, some stuck writers have checked out of traditional education all together!

It doesn’t have to be this way!

The writing life lives inside your young writers right now—no matter how poor their punctuation, spelling, handwriting, and grammar.

The writing life lives inside your young writers now—no matter
how poor their punctuation, spelling, and grammar.

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Kids need to know that the writer inside is alive and well—that the mechanics of writing are a necessary challenge to be mastered over time, but not a referendum on the child’s success as a learner or writer.

You can do this for your child every time you value the writing risk. Hold the writing in your palm tenderly, with a look of love. Yes, even the writing that says, “I hate writing” and “This is dumb.”

Underneath those objections is a quieter cry: “What if what I put on paper makes your face look worried or disappointed? What will I do then?”

Start early—value the writing risk, love the child’s self expression, get as much of it to paper as possible, hold it as a sacred crystal vase—sturdy, beautiful, fragile. See the light refracted through it.

Work on mechanics as “no big deal” and “we all get there eventually” and “you don’t have to be a good speller to be a GREAT writer.”

Children raised this way see learning as open to them, and education as satisfying.

This is the gift you can give your children if you protect them from hating writing.

You can do this!

The Homeschool Alliance

Becoming Comfortable with Language

Immersion into Written Language

Think of teaching writing to your children in the same way you taught them to speak. You didn’t tell them to conjugate verbs or to use articles. Sometimes they even made attempts to get the right plural and “missed.” But over time, through exposure, modeling, and a little intentionality, they “got the hang” of speech.

Instruction after they were comfortable with spoken language created opportunities to teach your kids etiquette, how to introduce people, how to answer the phone (maybe!), and more.

Written language can work the same way. For instance, each of our Quiver of Arrows focuses on language inductively—the passage suggesting the focus. You can certainly ask your children questions:

  • What is the dot at the end of the sentence?
  • Do you know its name?
  • What do you think it does?
  • What do you see in the word after every period?

Your kids’ answers may even surprise you and yield new ways of “seeing” what the sentence markings do.

The point is you don’t have to follow a systematic approach to written language any more than you did with speech. The goal in all the Arrows, etc. is to help you immerse—with your kids—noticing, commenting, exploring, playing with. Over time, your children will develop a sense of how it works through copying, dictation, and practice that is intuitively fluent (which is easier to sustain than memorizing rules).

Also, allow yourself to be led by your own curiosity and understanding. Some of the writing in our products IS for the parent—to help you grow in your own understanding of how language works and what are literary devices—to keep you aware and present to possibilities within the text. But if something doesn’t yet feel comfortable, you’ve got years with each child ahead of you. You’ll be circling back over these ideas again and again.

Sips—take sips.

The Arrow language arts program

Image by Africa Studio / Fotolia (text added)

In Defense of the Writing Process

The Writer's Jungle

A Little Love for the Old Battle Axe

When I began Brave Writer (Jan 2000), I had one goal—help parents help their kids to write without fear. My initial scribbled outlines of possible directions for The Writer’s Jungle had notes about paragraphing, descriptive writing, narrative versus expository writing, and more.

One morning, I got up to read my notes and wilted. I knew that wasn’t what was needed and I certainly didn’t want to write it. Kids weren’t struggling with writing because parents had yet to read the definitive explanation of what constitutes a paragraph.

Parents weren’t frustrated by their children’s childish errors in spelling, punctuation, handwriting, and grammar because they didn’t know how to correct the mistakes.

Rather, parents were frustrated because all those explanations in the programs they already owned weren’t resulting in lively, enthusiastic writing from their kids, with visibly improving mechanics. Tears, anger, boredom—a lack of confidence about what the results meant (were their kids writing well enough?).

Meanwhile all the books I read about writing for my adult writing life had helped me become a much better writing coach to my own children.

I realized: The murky process of generating writing had not yet been adequately addressed for parents at home working with their own children.

The manuals I read showed “sample paragraphs” that weren’t even well written (organized, yes; but dull, lifeless). They taught methods like: “Here’s a sentence in three words. Now add an adjective to make it longer.” Some of them gave such a long script of instructions, any chance for the child’s natural voice to show in the writing was gone before the pen hit the page.

As I wrote more and more about writing and parenting, it struck me that this new writing resource ought to enhance the empathetic connection between parent and child (creating emotional safety for writing risks) while giving the parent-child team tools to help them excavate the inner life of the child and get that to paper.

The Writer’s Jungle is my earliest attempt to express all that information—those goals. I wrote it in my late 30s at a point in my writing career where I was working with non-writers every day—growing and expanding their writing for publication. I spent a lot of energy helping adults find their writing voices. I never once explained what constitutes a paragraph to them.

I didn’t envision The Writer’s Jungle being a “curriculum” in the traditional sense. I assumed parents had scads of writing prompts in their various homeschool curricula for English and history, or school assignments they needed to supervise and support at home.

These parents needed a set of tools (like a corkscrew or can opener) to access the language living inside their kids, without prompting tears, resistance, and pain. I imagined a parent reading The Writer’s Jungle a chapter at a time, even moving around it like a reference book, if they wanted to, using it to help them help their kids write their assignments!

  • This piece needs revision; I’ll flip open the chapter on revision and work through the suggestions with Charley.
  • Mary’s vocabulary seems to be evaporating when she goes to writing. Maybe the chapter on word games will help us free some words for writing.
  • I know the revolutionary war period is too big for writing. We can use the Topic Funnel to scale it down.

It never occurred to me that anyone would find it a challenge to use The Writer’s Jungle!

It was designed so simply!

  • Read, do; read, do.
  • No required time frame.
  • No expected pace.
  • Processes to be used again and again, morphing and changing to support any kind of writing you might explore with your kids, or that might be assigned to them!
  • Chapters that could be used in a variety of sequences.
  • Injunctions to grow as a homeschooling parent by reading for pleasure, too, so that everyone in the family became more and more aware of quality prose and language use.
  • A detailed guide to the developmental stages of growth in writing instead of scope and sequence.
  • Sample schedules of writing projects for 10 months a year, all ages and stages.

When anyone suggests that the “program” is not “organized,” it startles me a bit.

Teaching writing is not a program.

It doesn’t follow a specific set of steps. Programmatic writing instruction is the reason so many kids don’t like writing, and so many adults still lack confidence as writers!

Imagine teaching kids to speak via “program” or “schedule.” Imagine helping a child learn to walk with a curriculum, or learn to sew by tackling a pattern and working through each skill without having ever used a sewing machine!

Writing grows organically first, as would-be writers are introduced to processes that help them learn to express themselves.

Play with the processes; grow as a writer.

Once a writer is freely self-expressing, applying those skills to writing projects is as natural as giving an oral report once a child is a fluent speaker.

It’s been 16 years since I wrote the first draft of The Writer’s Jungle. It deserves a revision (fingers crossed: within the next 2 years) if only to add all the amazing writing and experiences our families have shared with us!

Ultimately Brave Writer has widened and deepened over the years—our offerings are vast and there is so much good free information on the website and blog (check the sidebar!), you can get really far with us without spending a penny!

I felt a need to write a little apologetic for our old battle axe: The Writer’s Jungle. Even though there are passages in it that I’d rewrite in a hot minute (clunkers and overstatements, humor that was funnier in 2000 than now), my message hasn’t changed.

Writing is not a linear process of step-by-step instructions.

Writing is first and foremost an interior look—pairing language with thought. Writing is about becoming able and facile in this process—with greater and greater linguistic dexterity. It’s exploring the murky, non-linear process of committing ideas to language and language to paper.

Writing benefits from partnerships—with parents or teachers or friends or editors who give content-centered feedback with the heart and goal of enhancing, enriching, and expanding what is there.

There are pain-free processes that support that partnership. These are in The Writer’s Jungle, all of our products and classes, and 100 other writing books written by other writers, not specifically written for homeschoolers.

It’s my hope that you will spend your money and time wisely—taking advantage of all we offer through Brave Writer for free—purchasing what helps you feel brave and competent to facilitate this non-linear process with your kids.

I still love the heart, message, and methods of The Writer’s Jungle. I stand by them.

To all of you who advocate for Brave Writer out there in homeschool discussion board land, thanks for helping to get the real message out. You humble me and move me with your stories.

To sum upThe Writer’s Jungle is a compendium of processes and wisdom to help parents partner with kids and to help kids find their writing voices. That’s it!

I appreciate you. Happy planning! Happy writing!


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