Archive for the ‘Tips for Teen Writers’ Category

Hurry! Last minute registrations for KWI, HH and Adv. Comp

Thursday, April 2nd, 2009

Kidswrite Intermediate, Hand-Holders and Advanced Composition all start Monday. They all have space. You may not see them again until the next school year. Don’t miss your chance to get in on these important classes.

Quick notes: Kidswrite Intermediate is one of the most unique writing courses on the market! We use exploratory writing tools (specially created by me, Julie Bogart) to draw out the rhetorical thinking and linguistic creativity necessary for powerful academic essay writing and crafting in high school and college. I’m telling you – learning to write a dusty dry essay just doesn’t cut it. We’ve got to help our teens translate that spark and writing aliveness into a forceful, compelling academic writing style. Who teaches that? We do! Sign up today. Your teens will love it. It’s the most energizing, surprising class they’ll take this year. Nothing like what they’ve done before.

Hand-Holders is a brand new tool created on request from countless Brave Writer Moms. After working through KWB or The Writer’s Jungle, many moms want the comfort, accountability and support of a BW instructor to help them continue to guide their children into productive writing projects. Christine Gable, instructor, is especially equipped to help you. She’ll give you all the tools and support you need to finish out the school year strong!

And last, but most certainly not least, is Advanced Composition which I teach! I don’t get to do the online classes as much as I used to so don’t miss this chance to put your teens with me. I use all my academic experience to help your kids be up to the minute in their preparation for what colleges expect in their essay assignments. If you wonder what other kinds of essays your kids will be called on to write, these are the ones: definition and textual analysis are commonly assigned in the undergraduate programs. Don’t miss this last minute chance to get your teens ready for fall (if they’re seniors) or for the coming year of writing (if they’re juniors). I’ll happily take some precocious sophomores, too.

Register here ASAP.

Close Reading Tips

Monday, March 30th, 2009

To be a good academic writer, it helps to be an effective reader. Close reading of texts is the key. I found a great set of tips here:

Close Reading Tips

You knew your gamer would make a career of it…

Monday, March 23rd, 2009

Can you believe this? Video Game Grad Programs Opens Up Industry

Traditionally, video game designers learned their trade from other designers, a system that meant the people who made the games were often living in a monoculture. But that’s changed recently; for the past five or 10 years, universities have been offering degree programs in video game design.

The programs are not about coding; instead they look at games as a medium for artistic experimentation and collaboration. And as students emerge, they are gradually making their mark on the industry.

My kids have told me for years that they would be able to earn a living off gaming. Now, it appears they were right!

The distance between voice and mechanics

Thursday, October 30th, 2008

Seems like this week, I’ve had a lot of email and a couple of phone calls expressing anxiety about writing. Nothing unusual about that in my in-box. But the concerns overlapped in the type of anxiety they expressed. Moms new to Brave Writer find it really hard to believe that it is possible to nurture your child’s writing voice without worrying about the mechanics of writing. They wonder if they are fostering a carelessness in their children’s writing habits. Shouldn’t they learn to care about how they spell, how they punctuate, how they construct their sentences and paragraphs? Isn’t attentiveness to the form as important as attentiveness to the content?

It’s true that meticulous care about mechanics is a final step in every writing process. When students in high school turn in papers to me, I always tell them that they can make sure it is error free. They have spell-check, parents, friends – all who can lend support to finding spelling errors, missed punctuation and typos. The presentation of the final paper is a psychologically important part of grading a paper, in fact. A teacher, parent or professor is put at ease when the writing is without error. The mechanical perfection of the paper renders the form invisible and frees the reader to focus exclusively on content. What a joy that is!

So yes, mechanics matter a lot in writing and there’s nothing at all wrong with expecting a high standard in the final product. Far be it from me to ever have associated with my name a carelessness about how the final paper is presented!

On the other hand, there is a peculiar challenge in writing. To find one’s meaning, to explore and excavate one’s ideas requires a letting go of the wheel. It’s hard to focus on the end marks and spellings when you’re inner eye is trained on an idea and where it is going. For your kids, who are even less skilled as writers, it’s even harder for them to pat their stomachs and rub their heads simultaneously. They haven’t got years of writing and reading under their belts. The conventions of punctuation aren’t automatic for them. To write “correctly” requires effort and attentiveness. If they focus on how to put it on paper, they lose touch with what they want to say.

The quickest way to kill a writer’s inspiration is to ask him or her to think about how to write before the writer has thought about what to write. Start with the ideas, images, thoughts, fantasies. Later, once all that mess is out there, it’s possible to shift gears and give full attention to editing. In fact, it’s surprisingly satisfying to clean up the mess of creativity once it is on paper. Editing is relaxing in the way that mowing the lawn or ironing a wrinkled shirt is. You see progress instantly!

So save mechanics and instruction in how to execute them for copywork, dictation and other people’s writing. In the meantime, while you are growing a young writer, give full attention to what that writer wants to say and how he or she wants to say it. Mess with meanings, play with words, wriggle around in disorder and creativity. Then, once the words are all over the page in their glorious chaotic sense, impose a little order by editing for spelling, punctuation and grammar.

That’s the best (and I daresay, only) way to cultivate writing voice while giving some attention to the mechanics of writing.

Shaking the dust off writer’s block

Thursday, August 7th, 2008

I spent some time surfing the web looking for ideas to help us knock open the internal world of words and found some good ideas! So if you and your kids want to kick off the fall with some new ideas (or if you are down under and feeling a little weary going into spring) try these! Here are five writing ideas. Don’t do them all in one day. Space them out over weeks.

  1. Write a collage made up of full-lines of selected source poems. (Choose the poems, grab lines from them, type them up, print them, cut them into strips and then reassemble in a new order to make a new poem! You can certainly add a line of your own if it helps.)
  2. Write a poem composed entirely of questions.
  3. Make notes on what happens or occurs to you for a limited amount of time, then make something of it in writing.(You pick a predetermined amount of time – like an hour or a morning.)
  4. Write on a piece of paper where something is already printed or written. (You might try writing in the margins of a book, or the margins around a photo-copy of a poem, or on the edges of a flyer…)
  5. Type out a Shakespeare sonnet or other poem (or song lyric!) you would like to learn about/imitate double-spaced on a page. Rewrite it in between the lines.

Real Writing: The Theory of Generativity

Thursday, July 17th, 2008

I sent this e-letter last year to the Brave Writer community and feel like now is a great time to revisit this topic as so many new-to-Brave-Writer moms are checking us out. If you want to help a friend understand who we are, this little article is the one to link on your blogs, discussion boards and email lists.

A mom wrote to me to say that she liked what she had heard of Brave Writer and would probably buy The Writer’s Jungle, however, what should she use to teach “real writing”?

Real writing?

Real writing is advertising copy and novels, essay exams and poetry, short stories and journals, research papers and newspaper articles. The quality of the writing varies which is why ads get thrown away, but remembered (even against our wills), whereas some novels are given pride of place in a bookcase, but are rarely read.

The contrast this emailer wanted to make, though, is familiar to me. There’s an idea that writing can be separated into two primary categories: creative writing and academic writing (or research writing, or format writing). Because of Brave Writer’s emphasis on writing voice and freewriting, some moms think that Brave Writer teaches “creative” writing (fiction, poetry, journaling, short stories, playful writing exercises) while another program can be used to teach the “real” kind (essays, reports, research papers, narrations, summaries).

The truth is all writing is creative. It takes as much creativity and cleverness to write a cogent, powerful essay as it does to write a short story (perhaps more). However because the word “creative” is usually associated with the arts, we tend to view creativity through a lens of “not as real” or “not as challenging” or “not as academic” as some other form of writing.

If the word “creative” trips you up, use the word I like to use in Brave Writer materials and classes: “generative.” Brave Writer materials teach processes that help kids to “generate” words, language, images, associations, thoughts, ideas, metaphors, impressions, memories, facts, and information. Once words are generated, then we can do lots of things with them. They can be used to craft a three point expository essay or a poem or a story or a written narration.

Where many kids get stumped is that they have been led into this wonderful world of writing through the free exercise of their creativity while they are young (under 9 or 10). Yet somewhere around 12-13, these same kids are told that creative writing is no longer what they need to be doing. They need to get serious and produce academic writing products. They’re given the models or formats (sometimes, not even that much help) and are told to follow them. Yet the resulting writer’s block is a mystery to parents and teachers.

There should be no mystery here. Kids need to be told that the same processes they went through to create wonderful journeys into imaginary places can be applied to help them write reports and essays. They can still wallow in complexity, saturate themselves with material, freewrite, imagine, draw on personal experience, enrich their knowledge with facts, and throw words around on paper that entertain them. Once those words are out, they can be shaped into a format. But the format does not tell kids how to dredge up language from inside, how to pull words out of their guts. That process must be cultivated over time and grows individually.

As the child gains confidence that he or she has something to say and that child learns how to access the words inside, introducing a writing format such as an essay or research paper is no different than following the rules for writing a poem.

Our classes and materials are designed to lead your kids into successful academic writing. Our aim is to produce competent, confident, creative adult writers. So yes, Brave Writer teaches creative writing because all writing requires creativity. Writing requires writers to draw on their personal power to generate the words they need for whatever writing they do.

Creatively yours,

Julie

P.S. Help for High School is designed to aid kids in the transition from early writing to academic writing using the Brave Writer principles of “generativity.” The Writer’s Jungle helps you, the homeschooling mother, to lay the foundation that will give your kids the tools to do all kinds of writing, not just “creative” writing.

Another use of an English degree (HT JoVE)

Wednesday, June 18th, 2008

JoVe likes to send me articles every now and then. They are always wonderful! Today she slipped the following one into my in-box related to another use of an English degree. This one shows how one academic found a career teaching writing in a big law firm. I got a special kick out of it because my dad is a lawyer and I’ve long argued (ha!) that my bent toward academic writing was fostered and nurtured through his rigorous approach to any debatable topic at the dinner table. I grew up, essentially, learning how to create an argument from my earliest memories. Not only that, lawyers do a tremendous amount of writing. The care with which trial lawyers must prepare opening and closing statements is every bit as conscientious as any academic preparing a thesis or scholarly journal article (if not moreso since justice and money are always on the line!). Think how many lawyers-turned-best-selling novelists there are, too. :) I remember my dad writing a novel into his dictaphone when I was in high school. (He never did get it published though.)

With all that personal background out of the way, check out this article: From Global Lit(erature) to Global Lit(igation).

A big litigation firm like ours is filled with nothing but writers. One lawyer here, in fact, tells people that he is a writer when they ask his occupation (insert joke about lawyers’ public perception here). My main duties are twofold. I travel to our offices around the world twice a year and conduct seminars on all aspects of the writing process, from punctuation to Aristotelian argumentation. I also work with associates and partners individually on their writing (what the corporate world calls “coaching” and academe calls “tutoring”), either in person or over the phone. They contact me at any point during the writing process. I sometimes answer questions on the spot, but it’s much more common for lawyers to send me a draft, which we meet to discuss.

My job is endlessly rewarding. I work in a five-member office of professional development. Three of us have Ph.D.’s, all in different fields. I teach an enthusiastic population: Professionals, especially those who write for a living, are eager participants in the learning process. Some of the intellectual-property and antitrust cases are fascinating; unfortunately, I am not permitted to tell you about them.

Colleges that support LD kids

Wednesday, June 18th, 2008

Brave Writer Instructor Rita Cevasco (who teaches kids with learning disabilities – LD) sent me the following information related to finding colleges that make accommodations for kids who struggle with traditional learning. My son, Noah, benefited a lot from an LD program at the University of Cincinnati. They tested him, assigned him a note-taker (paid the note-takers $100 per quarter to take notes for Noah – these would be then typed up and delivered to him weekly), and gave him the opportunity to take all his tests without time limits by taking them in the learning center.

I can’t stress enough how helpful it is to have accommodations for your student if your child is a non-traditional learner who has ADD, ADHD or any language processing disorders. Some schools are deliberately seeking students who need that extra support. The University of Cincinnati turned out to be one of them.

To find schools in your area with similar goals, you can use the following link.

Check out this website: http://www.college-scholarships.com/learning_disabilities.htm. I just found this one by Google Search. It provides links to lots of schools. Some schools have “supportive” programs and others have “comprehensive” programs. The “comprehensive” programs typically offer more assistance than supportive programs. They characteristically have specially trained full-time staff members assigned to serve the LD student and may offer unique services to this population.

Email: What to do with an English Major

Tuesday, June 17th, 2008

Dear Julie,
I own and have enjoyed your two writing books with my homeschooled children.

I recently read about your background on your website and would like to ask you a couple of questions.

My 11th grade daughter is thinking of majoring in English with teacher licensure. She would like to teach English, write books, and is also looking into what else she could do with an English major.

I read that your husband majored in English and was wondering what kind of advice he could give to someone in this major. What suggestions would he or you have for her to be successful with her college classes and beyond?

Any comments, suggestions, and advice for my daughter would be greatly appreciated!

Thank you.

Blessings,
Sabrina

Hi Sabrina’s daughter!

Wonderful that your daughter loves writing and English so much. My husband was hooked on literature which is what led him to his major. There are some unique opportunities that go with being an English major, but, in the interests of full disclosure, I should add that many of them don’t pay well. :)

English majors often go into teaching, editing (for a publishing company) or some kind of communications role (sales, marketing, technical writing, copy editing) of big companies. Writing (as in, writing to make money) is the least likely to earn a person a living, though plenty of English majors (or creative writing majors) attempt to get published. My mom, who works as a full-time author of over 65 books, says that the vast majority of writers earn only part of their income through their writing. They almost always combine their writing with teaching.

So teaching is clearly a popular choice and a good one. Jon went into the Peace Corps after his major in English and earned his credential while teaching English as a foreign language in a Moroccan high school. He returned to the states where he earned his MA in American Literature and has been able to work as an “adjunct professor” at multiple universities in both California and Ohio, as well as a high school English teacher. Teaching’s been a great outlet for him as he worked in other full-time jobs.

Jon just mentioned that the English degree is perfect if your intent is to teach junior high or high school English. It dovetails beautifully with that ambition. The teaching path offers a good living with excellent benefits and is conducive to family life, too.

Jon also worked as an editor at a text book company, which is yet another way to earn a living off of a degree in English.

I, unconventionally, majored in history. My writing has been both avocation and vocation. I found that my interest in writing had less to do with literature and more to do with issues: with non-fiction content. I earned my MA in theology which also called on my writing skills. It isn’t necessary to major in English to become a writer (just want to point that out). And some teen writers would do better to major in journalism where more writing jobs are available than can be had through “writing novels” for instance. So if current events are your thing, bypass the English major and go for journalism.

The best way to successfully pursue the English major is to be a passionate reader. Reading literature is what fuels that degree. You must be willing to analyze it, take it apart and look at it through a variety of lenses. If you don’t like taking literature apart or submitting it to scrutiny, best not to major in English. Academic writing involves critical inquiry so that means you have to be interested in that kind of work.

I love your question and hope you’ll ask follow up questions if you have them.

Julie

Email: Thanks Anne for sharing!

Monday, May 19th, 2008

Julie-

When my 16 year old daughter showed me this earlier today I HAD to send it to you so you could be encouraged – BRAVE WRITER works!! (But you already knew that.) All those lessons that were erratically joined together after I would sit and read the directions a few minutes before administering- All the “Quick we are going to do a 10 minute FREEWRITE” so I could try to get organized as to what we were doing that day- They are PROOF that Brave Writer really does work. All we have to do is “JUST BEGIN…” anywhere.

After I read this article my daughter showed me I got excited and very, very encouraged. Funny, I had been nagging her to start a BLOG thinking this would get her writing… Meanwhile, she is using her MY SPACE to do just that. Sometimes (most of the time) we just need to get out of the way of LIFE and let our kids LIVE IT and share it.

Thanks for helping me see that what my kids have to say is important and for encouraging me to tell them that what they say is important.

Annette Tyrrell
Elyria, Ohio

Monday, March 03, 2008
The Worst Event In Human History

You probably don’t notice it, don’t load it, and don’t care. Yes, I am talking about the dishwasher. Well ours broke, and in a family of 6 who never use the same cup twice, this is no light thing. We kids called it “The First Day of the Dark Ages.”

At first we just stood there, staring at the white lid smudged with finger prints and peanut butter. When we opened it, there was a puddle of water in the bottom that just seemed to say, “Good Luck Now!!” I recall tearing up, not of sadness, but of fear. A million things went through my head. I hated LOADING the dishwasher, and now I would have to wash all the dishes by hand? Now I’m not just talking about pots and pans—I’m talking about plates, cups, bowls and yes, silverware. I could just see it, one by one by one: washing and rinsing and drying. It was horrible, but we had to do it.

“What were you thinking,” you might ask, “when at the end of the day, you faced that mountain of dirty dishes two feet high and stretching the span of the counter?” Then you looked at the helpless dish rag, lying limp on the counter and you knew it just wasn’t capable of doing this job. Well… we went out and bought some ammo: heavy duty soap, scrubby pads and even a steal threaded rag. We knew it would be tough, but we were a tough family.

Our first mission was to decide who would wash when. Of course nobody spoke up, too frightened to say a word. All we knew was that we had to begin, just begin, and hopefully it would all work out. I remember that first time, soap up to my elbows, hands wrinkled and pruned and the front of my shirt soaking wet. But, as the days passed, it got easier. I began to develop strategies and methods for washing and rinsing. I even had a preference of dish soap. I also began to love this time of solitude—not having to worry about anything (except how to get off the burned lasagna). I could just exist, just me and the dishes. But this was not always the case.

Now, when it’s just one person, it’s easy because they can do it how they want to and nobody else cares. But when you have two or more people, that’s different. I am a very controlling person and when someone tells me that I should do the mugs, then the utensils, I get grouchy. One opinion that I am unflinchingly rigid on is “the soak.” That phrase is non-existent in my vocabulary. I do not “soak.” I believe there is nothing that I can’t get off NOW. In fact, I enjoy incredibly stuck-on food. I consider it a challenge for which I am always well-prepared. It just takes the right combination of rag/scrubber, cleaning solution, and raw muscle power. It’s simple: I’m a beast at the sink. So…I guess…it’s not SO bad; maybe not the worst event in human history.